Monday, November 9, 2009

Address from the Brandenburg Gate Berlin Wall June 12, 1987 Ronald Wilson Reagan

Berlin Wall Ronald Reagan VBR MP3 237 kb, Berlin Wall Ronald Reagan OGG format 178 kb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

This work is in the public domain in the United States because it is a work of the United States Federal Government under the terms of Title 17, Chapter 1, Section 105 of the US Code. Source: University of Virginia Miller Center for Public Affairs

Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office.

Address from the Brandenburg Gate (Berlin Wall) (June 12, 1987) Ronald Wilson Reagan. In one of his most famous statements, Reagan declares "Mr. Gorbachev, tear down this wall!"



FULL TEXT TRANSCRIPT:

Ronald Reagan speaking in front of the Brandenburg Gate and the Berlin WallThank you very much. Chancellor Kohl, Governing Mayor Diepgen, ladies and gentlemen: Twenty four years ago, President John F. Kennedy visited Berlin, speaking to the people of this city and the world at the city hall.
Well, since then two other presidents have come, each in his turn, to Berlin. And today I, myself, make my second visit to your city.

We come to Berlin, we American Presidents, because it's our duty to speak, in this place, of freedom. But I must confess, we're drawn here by other things as well: by the feeling of history in this city, more than 500 years older than our own nation; by the beauty of the Grunewald and the Tiergarten; most of all, by your courage and determination. Perhaps the composer, Paul Lincke, understood something about American Presidents. You see, like so many Presidents before me, I come here today because wherever I go, whatever I do: "Ich hab noch einen koffer in Berlin." [I still have a suitcase in Berlin.]

Our gathering today is being broadcast throughout Western Europe and North America. I understand that it is being seen and heard as well in the East. To those listening throughout Eastern Europe, I extend my warmest greetings and the good will of the American people. To those listening in East Berlin, a special word: Although I cannot be with you, I address my remarks to you just as surely as to those standing here before me. For I join you, as I join your fellow countrymen in the West, in this firm, this unalterable belief: Es gibt nur ein Berlin. [There is only one Berlin.]

Behind me stands a wall that encircles the free sectors of this city, part of a vast system of barriers that divides the entire continent of Europe. From the Baltic, south, those barriers cut across Germany in a gash of barbed wire, concrete, dog runs, and guardtowers. Farther south, there may be no visible, no obvious wall. But there remain armed guards and checkpoints all the same—still a restriction on the right to travel, still an instrument to impose upon ordinary men and women the will of a totalitarian state. Yet it is here in Berlin where the wall emerges most clearly; here, cutting across your city, where the news photo and the television screen have imprinted this brutal division of a continent upon the mind of the world. Standing before the Brandenburg Gate, every man is a German, separated from his fellow men. Every man is a Berliner, forced to look upon a scar.

President von Weizsacker has said: "The German question is open as long as the Brandenburg Gate is closed." Today I say: As long as this gate is closed, as long as this scar of a wall is permitted to stand, it is not the German question alone that remains open, but the question of freedom for all mankind. Yet I do not come here to lament. For I find in Berlin a message of hope, even in the shadow of this wall, a message of triumph.

In this season of spring in 1945, the people of Berlin emerged from their air raid shelters to find devastation. Thousands of miles away, the people of the United States reached out to help. And in 1947 Secretary of State—as you've been told—George Marshall announced the creation of what would become known as the Marshall Plan. Speaking precisely 40 years ago this month, he said: "Our policy is directed not against any country or doctrine, but against hunger, poverty, desperation, and chaos."

In the Reichstag a few moments ago, I saw a display commemorating this 40th anniversary of the Marshall plan. I was struck by the sign on a burnt-out, gutted structure that was being rebuilt. I understand that Berliners of my own generation can remember seeing signs like it dotted throughout the Western sectors of the city. The sign read simply: "The Marshall plan is helping here to strengthen the free world." A strong, free world in the West, that dream became real. Japan rose from ruin to become an economic giant. Italy , France , Belgium—virtually every nation in Western Europe saw political and economic rebirth; the European Community was founded.

In West Germany and here in Berlin, there took place an economic miracle, the Wirtschaftswunder. Adenauer, Erhard, Reuter, and other leaders understood the practical importance of liberty—that just as truth can flourish only when the journalist is given freedom of speech, so prosperity can come about only when the farmer and businessman enjoy economic freedom. The German leaders reduced tariffs, expanded free trade, lowered taxes. From 1950 to 1960 alone, the standard of living in West Germany and Berlin doubled.

Where four decades ago there was rubble, today in West Berlin there is the greatest industrial output of any city in Germany—busy office blocks, fine homes and apartments, proud avenues, and the spreading lawns of park land. Where a city's culture seemed to have been destroyed, today there are two great universities, orchestras and an opera, countless theaters, and museums. Where there was want, today there's abundance—food, clothing, automobiles—the wonderful goods of the Ku'damm. From devastation, from utter ruin, you Berliners have, in freedom, rebuilt a city that once again ranks as one of the greatest on Earth. The Soviets may have had other plans. But, my friends, there were a few things the Soviets didn't count on Berliner herz, Berliner humor, ja, und Berliner schnauze. [Berliner heart, Berliner humor, yes, and a Berliner schnauze.] [Laughter]

In the 1950's, Khrushchev predicted: "We will bury you." But in the West today, we see a free world that has achieved a level of prosperity and well-being unprecedented in all human history. In the Communist world, we see failure, technological backwardness, declining standards of health, even want of the most basic kind—too little food. Even today, the Soviet Union still cannot feed itself. After these four decades, then, there stands before the entire world one great and inescapable conclusion: Freedom leads to prosperity. Freedom replaces the ancient hatreds among the nations with comity and peace. Freedom is the victor.

And now the Soviets themselves may, in a limited way, be coming to understand the importance of freedom. We hear much from Moscow about a new policy of reform and openness. Some political prisoners have been released. Certain foreign news broadcasts are no longer being jammed. Some economic enterprises have been permitted to operate with greater freedom from state control. Are these the beginnings of profound changes in the Soviet state? Or are they token gestures, intended to raise false hopes in the West, or to strengthen the Soviet system without changing it? We welcome change and openness; for we believe that freedom and security go together, that the advance of human liberty can only strengthen the cause of world peace.

There is one sign the Soviets can make that would be unmistakable, that would advance dramatically the cause of freedom and peace. General Secretary Gorbachev, if you seek peace, if you seek prosperity for the Soviet Union and Eastern Europe, if you seek liberalization: Come here to this gate! Mr. Gorbachev, open this gate! Mr. Gorbachev, tear down this wall!

I understand the fear of war and the pain of division that afflict this continent—and I pledge to you my country's efforts to help overcome these burdens. To be sure, we in the West must resist Soviet expansion. So we must maintain defenses of unassailable strength. Yet we seek peace; so we must strive to reduce arms on both sides. Beginning 10 years ago, the Soviets challenged the Western alliance with a grave new threat, hundreds of new and more deadly SS-20 nuclear missiles, capable of striking every capital in Europe. The Western alliance responded by committing itself to a counterdeployment unless the Soviets agreed to negotiate a better solution; namely, the elimination of such weapons on both sides. For many months, the Soviets refused to bargain in earnestness. As the alliance, in turn, prepared to go forward with its counterdeployment, there were difficult days—days of protests like those during my 1982 visit to this city—and the Soviets later walked away from the table.

But through it all, the alliance held firm. And I invite those who protested then—I invite those who protest today—to mark this fact: Because we remained strong, the Soviets came back to the table. And because we remained strong, today we have within reach the possibility, not merely of limiting the growth of arms, but of eliminating, for the first time, an entire class of nuclear weapons from the face of the Earth. As I speak, NATO ministers are meeting in Iceland to review the progress of our proposals for eliminating these weapons. At the talks in Geneva, we have also proposed deep cuts in strategic offensive weapons. And the Western allies have likewise made far-reaching proposals to reduce the danger of conventional war and to place a total ban on chemical weapons.

While we pursue these arms reductions, I pledge to you that we will maintain the capacity to deter Soviet aggression at any level at which it might occur. And in cooperation with many of our allies, the United States is pursuing the Strategic Defense Initiative—research to base deterrence not on the threat of offensive retaliation, but on defenses that truly defend; on systems, in short, that will not target populations, but shield them. By these means we seek to increase the safety of Europe and all the world. But we must remember a crucial fact: East and West do not mistrust each other because we are armed; we are armed because we mistrust each other. And our differences are not about weapons but about liberty. When President Kennedy spoke at the City Hall those 24 years ago, freedom was encircled, Berlin was under siege. And today, despite all the pressures upon this city, Berlin stands secure in its liberty. And freedom itself is transforming the globe.

In the Philippines, in South and Central America, democracy has been given a rebirth. Throughout the Pacific, free markets are working miracle after miracle of economic growth. In the industrialized nations, a technological revolution is taking place—a revolution marked by rapid, dramatic advances in computers and telecommunications.

In Europe, only one nation and those it controls refuse to join the community of freedom. Yet in this age of redoubled economic growth, of information and innovation, the Soviet Union faces a choice: It must make fundamental changes, or it will become obsolete. Today thus represents a moment of hope. We in the West stand ready to cooperate with the East to promote true openness, to break down barriers that separate people, to create a safer, freer world.

And surely there is no better place than Berlin, the meeting place of East and West, to make a start. Free people of Berlin: Today, as in the past, the United States stands for the strict observance and full implementation of all parts of the Four Power Agreement of 1971. Let us use this occasion, the 750th anniversary of this city, to usher in a new era, to seek a still fuller, richer life for the Berlin of the future. Together, let us maintain and develop the ties between the Federal Republic and the Western sectors of Berlin, which is permitted by the 1971 agreement.

And I invite Mr. Gorbachev: Let us work to bring the Eastern and Western parts of the city closer together, so that all the inhabitants of all Berlin can enjoy the benefits that come with life in one of the great cities of the world. To open Berlin still further to all Europe, East and West, let us expand the vital air access to this city, finding ways of making commercial air service to Berlin more convenient, more comfortable, and more economical. We look to the day when West Berlin can become one of the chief aviation hubs in all central Europe.

With our French and British partners, the United States is prepared to help bring international meetings to Berlin. It would be only fitting for Berlin to serve as the site of United Nations meetings, or world conferences on human rights and arms control or other issues that call for international cooperation. There is no better way to establish hope for the future than to enlighten young minds, and we would be honored to sponsor summer youth exchanges, cultural events, and other programs for young Berliners from the East. Our French and British friends, I'm certain, will do the same. And it's my hope that an authority can be found in East Berlin to sponsor visits from young people of the Western sectors.

One final proposal, one close to my heart: Sport represents a source of enjoyment and ennoblement, and you many have noted that the Republic of Korea—South Korea—has offered to permit certain events of the 1988 Olympics to take place in the North. International sports competitions of all kinds could take place in both parts of this city. And what better way to demonstrate to the world the openness of this city than to offer in some future year to hold the Olympic games here in Berlin, East and West?

In these four decades, as I have said, you Berliners have built a great city. You've done so in spite of threats—the Soviet attempts to impose the East-mark, the blockade. Today the city thrives in spite of the challenges implicit in the very presence of this wall. What keeps you here? Certainly there's a great deal to be said for your fortitude, for your defiant courage. But I believe there's something deeper, something that involves Berlin's whole look and feel and way of life—not mere sentiment. No one could live long in Berlin without being completely disabused of illusions. Something instead, that has seen the difficulties of life in Berlin but chose to accept them, that continues to build this good and proud city in contrast to a surrounding totalitarian presence that refuses to release human energies or aspirations. Something that speaks with a powerful voice of affirmation, that says yes to this city, yes to the future, yes to freedom. In a word, I would submit that what keeps you in Berlin is love—love both profound and abiding.

Perhaps this gets to the root of the matter, to the most fundamental distinction of all between East and West. The totalitarian world produces backwardness because it does such violence to the spirit, thwarting the human impulse to create, to enjoy, to worship. The totalitarian world finds even symbols of love and of worship an affront. Years ago, before the East Germans began rebuilding their churches, they erected a secular structure: the television tower at Alexander Platz. Virtually ever since, the authorities have been working to correct what they view as the tower's one major flaw, treating the glass sphere at the top with paints and chemicals of every kind. Yet even today when the Sun strikes that sphere—that sphere that towers over all Berlin—the light makes the sign of the cross. There in Berlin, like the city itself, symbols of love, symbols of worship, cannot be suppressed.

As I looked out a moment ago from the Reichstag, that embodiment of German unity, I noticed words crudely spray-painted upon the wall, perhaps by a young Berliner, "This wall will fall. Beliefs become reality." Yes, across Europe, this wall will fall. For it cannot withstand faith; it cannot withstand truth. The wall cannot withstand freedom.

And I would like, before I close, to say one word. I have read, and I have been questioned since I've been here about certain demonstrations against my coming. And I would like to say just one thing, and to those who demonstrate so. I wonder if they have ever asked themselves that if they should have the kind of government they apparently seek, no one would ever be able to do what they're doing again.

Thank you and God bless you all.

Saturday, November 7, 2009

Moon And Clouds (Wide Screen 16:9)

Moon And Clouds MPEG2 31 MB Moon And Clouds 512 MPEG4 3.91 mb. Moon And Clouds OGV format 3.85 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGV format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia. . animated gif, 13 frames

Harvest Moon And Clouds (Wide Screen 16:9) (2007)

This movie is part of the collection: Stock Footage
Producer: C. E. Price
Audio/Visual: silent, color
Keywords: stock footage; wide screen 16:9, autumn; moon; harvest moon; night; clouds
Creative Commons license: Public Domain

Tuesday, November 3, 2009

Bugle calls Mess Call

Mess Call VBR MP3 237 kb, Mess Call OGG format 178 kb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office.



The USAF Heritage of America Band's Web site is provided as a public service by Air Combat Command and the Department of the Air Force.

Information presented on this site is considered public information and may be distributed or copied. Use of appropriate byline/photo/image credits is requested.

Bugle calls tell troops when to go to bed, when to wake up, when to eat, when to attack and when to retreat. There are stable calls, water calls, drill calls, sick calls and church calls on Sunday.

This audio is part of the collection: Open Source Audio
Artist/Composer: USAF Heritage of America Band
Keywords: Bugle calls; Mess Call
Creative Commons license: Public Domain

Sunday, November 1, 2009

At the Cross

At the Cross VBR MP3 4.00 mb, At the Cross OGG format 2.14 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

Composer, Ralph Erskine Hudson Born: Ju­ly 12, 1843, Na­po­le­on, Ohio. Died: June 14, 1901, Cleve­land, Ohio, Lyrics, Isaac Watts Born; July 17 1674, Died November 25, 1748, Published music 1885, lyrics 1707.

Ralph Erskine Hudson Born: Ju­ly 12, 1843, Na­po­le­on, Ohio. Died: June 14, 1901, Cleve­land, Ohio. He is best known as a hymn writ­er and mu­sic pub­lish­er, evan­gel­ism and tem­per­ance work. He was a lay preach­er and mem­ber of the Mt. Un­ion Ohio Meth­od­ist Epis­co­pal Church.



Isaac Watts (17 July 1674 – 25 November 1748) recognised as the "Father of English Hymnody", credited with some 750 hymns. Many of which remain in active use today. Besides being a famous hymn-writer, Isaac Watts was also a renowned theologian and logician, writing many books and essays on these subjects.

At the CrossComposition Licence: This MP3 (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1924 are now in the public domain.
This file is also in the public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris in this case Ralph Erskine Hudson, June 14, 1901 and Isaac Watts , November 25, 1748), and that most commonly runs for a period of 50 to 70 years from December 31 of that year.

Performance Licence: I, (sookietex) the creator of this work, hereby release it into the public domain. This applies worldwide. In case this is not legally possible, I grant any entity the right to use this work for any purpose, without any conditions, unless such conditions are required by law.

If This file is subject to copyright in your jurisdiction, i (sookietex) the copyright holder have irrevocably released all rights to it, allowing it to be freely reproduced, distributed, transmitted, used, modified, built upon, or otherwise exploited in any way by anyone for any purpose, commercial or non-commercial, with or without attribution of the author, as if in the public domain.

Alas, and did my Saviour bleed?
And did my Sov'reign die?
Would He devote that sacred head
For such a worm as I?

Refrain:
At the cross, at the cross where I first saw the light,
And the burden of my heart rolled away,
It was there by faith I received my sight,
And now I am happy all the day!

Was it for crimes that I have done,
He groaned upon the tree?
Amazing pity! grace unknown!
And love beyond degree!

Well might the sun in darkness hide,
And shut his glories in,
When Christ, the mighty Maker, died
For man, the creature's sin.

But drops of grief can ne'er repay
The debt of love I owe;
Here, Lord, I give myself away—
'Tis all that I can do!

This audio is part of the collection: Open Source Audio
Artist/Composer: Sookietex
Keywords: Sacred; Inspirational; Christian; hymn; gospel; At the Cross
Creative Commons license: Public Domain

Thursday, October 29, 2009

Enrico Caruso Nellie Melba La Boheme O soave fanciulla

Enrico Caruso VBR MP3 3.07 mb, Enrico Caruso OGG format 1.63 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

Enrico Caruso and Nellie Melba singing the duet O soave fanciulla from Giacomo Puccini's La boheme. It was recorded in New York on 24 March 1907 (Victor C4326 95200).

Dame Nellie Melba GBE (19 May 1861 – 23 February 1931), born Helen Porter Mitchell, was an Australian opera soprano. She became one of the most famous singers of the late Victorian Era and the early 20th century.



La bohème is an opera in four acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on Scènes de la vie de bohème by Henri Murger.

Giacomo Antonio Domenico Michele Secondo Maria Puccini (22 December 1858 – 29 November 1924) was an Italian composer whose operas, including La bohème, Tosca, Madama Butterfly and Turandot, are among the most frequently performed in the standard repertoire.

Enrico Caruso came from a poor background. Born in Naples in the Via San Giovanello agli Ottocalli 7 on February 25, 1873, he was baptized next door in the Roman Catholic Church of San Giovanni e Paolo, Naples, the next day.
Composition and Performance Licence: This MP3 (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1924 are now in the public domain.

This file is also in the public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris in this case Enrico Caruso (1873– 1921)), Nellie Melba (1861–1931) Giacomo Puccini (1858-1924), and that most commonly runs for a period of 50 to 70 years from December 31 of that year.

This audio is part of the collection: Open Source Audio
Artist/Composer: Enrico Caruso Giacomo Puccini RCA Victor
Keywords: Enrico Caruso; Nellie Melba; Nellie Melba, La Boheme; O soave fanciulla; Giacomo Puccini
Creative Commons license: Public Domain

Tuesday, October 27, 2009

Jesus Loves Me

Jesus Loves Me VBR MP3 1.85 mb, Jesus Loves Me OGG format 966 kb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

Jesus Loves Me is a Christian hymn written by Anna Bartlett Warner (August 31, 1827 – January 22, 1915), an American writer, and author of several hymns and religious songs for children. She was born on Long Island and died in Highland Falls, New York. The lyrics first appeared as a poem in the context of a novel called Say and Seal, written by Anna's older sister, Susan Warner (July 11, 1819 – March 17, 1885) an evangelical writer of religious fiction, children's fiction, and theological works and published in 1860.

The tune was added in 1862 by William Batchelder Bradbury (October 6, 1816 – January 7, 1868) a musician who composed many other popular hymns. Along with his tune, Bradbury added his own chorus "Yes, Jesus loves me, Yes, Jesus Loves me..."



Jesus Loves MeComposition Licence: This MP3 (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years.
See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1924 are now in the public domain.

This file is also in the public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris in this case Anna Bartlett Warner, August 31, 1827 – January 22, 1915 and William Batchelder Bradbury ,October 6, 1816 – January 7, 1868), and that most commonly runs for a period of 50 to 70 years from December 31 of that year.

Performance Licence: I, (sookietex) the creator of this work, hereby release it into the public domain. This applies worldwide. In case this is not legally possible, I grant any entity the right to use this work for any purpose, without any conditions, unless such conditions are required by law.

If This file is subject to copyright in your jurisdiction, i (sookietex) the copyright holder have irrevocably released all rights to it, allowing it to be freely reproduced, distributed, transmitted, used, modified, built upon, or otherwise exploited in any way by anyone for any purpose, commercial or non-commercial, with or without attribution of the author, as if in the public domain.

Jesus loves me! This I know,
For the Bible tells me so.
Little ones to Him belong;
They are weak, but He is strong.

Chorus:

Yes, Jesus loves me!
Yes, Jesus loves me!
Yes, Jesus loves me!
The Bible tells me so.

Jesus loves me! This I know,
As He loved so long ago,
Taking children on His knee,
Saying, “Let them come to Me.”

Chorus

Jesus loves me when I'm good,
When I do the things I should,
Jesus loves me when I'm bad,
Though it makes Him very sad.

Chorus

Jesus loves me still today,
Walking with me on my way,
Wanting as a friend to give
Light and love to all who live.

Chorus

Jesus loves me! He who died
Heaven’s gate to open wide;
He will wash away my sin,
Let His little child come in.

Chorus

Jesus loves me! Loves me still
Tho' I'm very weak and ill;
That I might from sin be free
Bled and died upon the tree.

Chorus

Jesus loves me! He will stay
Close beside me all the way;
Thou hast bled and died for me,
I will henceforth live for Thee.

Chorus

This audio is part of the collection: Open Source Audio
Artist/Composer: Sookietex
Keywords: Jesus Loves Me; Sacred; Inspirational; Christian; hymn; gospel
Creative Commons license: Public Domain

Saturday, October 24, 2009

Bethesda Fountain Central Park New York City

Bethesda Fountain Central Park WMV 13 mb, Bethesda Fountain Central Park 512Kb MPEG4 8.27 mb, Bethesda Fountain Central Park Ogg Video 9.54 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia. . animated gif, 5 frames

Bethesda Terrace overlooks The Lake in New York City's Central Park. It is on two levels, united by two staircases. The upper terrace flanks the 72nd Street Cross Drive and the lower terrace provides a podium for viewing the Lake. Bethesda Fountain is the central feature on the lower level of the terrace, constructed in 1859-64.


The pool is centered by a fountain sculpture designed by Emma Stebbins in 1868 and unveiled in 1873. Stebbins was the first woman to receive a public commission for a major work of art in New York City. The bronze, eight-foot statue depicts a female winged angel. It was the only statue in the park called for in the original design. Beneath her are four four-foot cherubs representing Temperance, Purity, Health, and Peace. Also called the Angel of the Waters, the statue refers to the Gospel of John, Chapter 5 where there is a description of an angel blessing the Pool of Bethesda, giving it healing powers.

File License: I, (sookietex) the creator of this work, hereby release it into the public domain. This applies worldwide. In case this is not legally possible, I grant any entity the right to use this work for any purpose, without any conditions, unless such conditions are required by law.

If This file is subject to copyright in your jurisdiction, i (sookietex) the copyright holder have irrevocably released all rights to it, allowing it to be freely reproduced, distributed, transmitted, used, modified, built upon, or otherwise exploited in any way by anyone for any purpose, commercial or non-commercial, with or without attribution of the author, as if in the public domain.

This movie is part of the collection: Open Source Movies
Producer: Sookietex
Audio/Visual: sound
Keywords: Bethesda Fountain; Central Park; New York City
Creative Commons license: Public Domain

Thursday, October 22, 2009

Anti-War Demonstation In New York City (1967) VIDEO

Anti-War Demonstation MPEG2 68 mb, Anti-War Demonstation 512Kb MPEG4 5.65 mb, Anti-War Demonstation Ogg Video 5.62 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia. . animated gif, 17 frames

Draft Card Burning Here. Antiwar demonstrators protest in New York City's Central Park and march to the United Nations building, October 21, 1967.

"President Johnson meanwhile let it be known that the FBI is closely watching all anti-war activity."



Universal-International Newsreel. In 1976, the films' owner, MCA, made the decision to turn over ownership of all of these newsreels to the National Archives. The decision effectively ended Universal's copyright claim, releasing the films into the public domain.

This movie is part of the collection: Stock Footage
Producer: Universal News
Audio/Visual: sound, black and white
Keywords: stock footage; standard 4:3; historic; 1967; peace demonstration; Vietnam War; draft card burning; FBI; students; peaceniks; King, Martin Luther (1929-1968)
Creative Commons license: Public Domain

Tuesday, October 20, 2009

Künstlerleben (Artists' Life) Johann Strauss II

Künstlerleben VBR MP3 5.03 mb, Künstlerleben OGG format 6.59 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

Künstlerleben (Artists' Life) op. 316 Edith Lorand [1898-1960] and her Orchestra, 1923 written by Johann Strauss II in 1867, following closely on the success of the popular The Blue Danube waltz. Johann Strauss II (October 25, 1825 – June 3, 1899; German: Johann Baptist Strauß; also known as Johann Baptist Strauss, Johann Strauss, Jr., or Johann Strauss the Younger)



Composition Licence: This MP3 (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1924 are now in the public domain.

Johann Strauss

Johann Strauss
This file is also in the public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris in this case Johann Strauss II October 25, 1825 – June 3, 1899), and that most commonly runs for a period of 50 to 70 years from December 31 of that year.

Performance Licence: This MP3 (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1924 are now in the public domain.
This file may not be in the public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris), and that most commonly runs for a period of 50 to 70 years from December 31st of that year. If your use will be outside the United States please check your local law.

This audio is part of the collection: Open Source Audio
Artist/Composer: Johann Strauss
Keywords: classical; waltz, violin
Creative Commons license: Public Domain

Sunday, October 18, 2009

Carbon Nanotube: Etching, Indentation

Carbon Nanotube MPEG1 2.04 mb, Carbon Nanotube 512Kb MPEG4 158 kb, Carbon Nanotube Ogg Video 2.03 kb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia. . animated gif, 3 frames

Contributors: Fedor Dzegilenko, Deepak Srivastava, and Glenn Deardoff

Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office.



NASA material is not protected by copyright unless noted. If not copyrighted, NASA material may be reproduced and distributed without further permission from NASA.

NASA still images; audio files; video; and computer files used in the rendition of 3-dimensional models, such as texture maps and polygon data in any format, generally are not copyrighted.

If the NASA material is to be used for commercial purposes, especially including advertisements, it must not explicitly or implicitly convey NASA's endorsement of commercial goods or services.

A carbon nanotube can be used as a tip in an atomic force microscope (AFM).Such a tip in an AFM can be used to create nanoscale patterns i.e. nanolithograpghy or to etch material away from a surface in the fabrication of semiconductor chips(i.e. the tip acts like a " nanotweezer " to remove atoms from the surface).

In the above scenerios, one is then concerned with the interaction between the carbon nanotube tip and a surface. We look at two kinds of surfaces: silicon and diamond. The videoclips show real-time dynamics of interaction between carbon nanotube tips and silicon and diamond surfaces. Two interaction regimes are considered: etching (the nanotube barely touches the surface) and indentation (the nanotube is pushed into the surface to make "nano-holes"). Computer simulations show that in the first regime the nanotube tip is able to selectively extract several silicon atoms off the surface of silicon, and in the second regime it is able to penetrate the silicon surface without much hindrance. That is, the nanotube tip does a good job of both a " nanotweezer " and a " nano hole-puncher " with silicon. But with diamond, the harder diamond surface destroys the nanotube.

This movie is part of the collection: Open Source Movies
Producer: NASA Ames Center for Nanotechnology
Audio/Visual: silent
Keywords: Carbon Nanotube; nanotechnology; NASA
Creative Commons license: Public Domain

Thursday, October 15, 2009

D-Day Prayer Franklin D. Roosevelt FDR

D-Day Prayer 64Kbps MP3 2.91 mb, D-Day Prayer VBR MP3 2.91 mb, D-Day Prayer OGG format 2.55 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

This prayer was originally entitled "Let Our Hearts Be Stout". It was read by President Roosevelt to the nation on radio, the evening of D-Day, June 6, 1944.

The previous night, June 5, the President had been on the radio to announce that Allied troops had entered Rome. The D-Day invasion began at 6:30 a.m. on June 6. By midnight about 57,000 American and 75,000 British and Canadian soldiers were ashore. Allied losses on D-Day included 2,500 killed and 8,500 wounded.



Legal Use: Speeches and utterances by President Roosevelt and public officials may be duplicated for reference or broadcast purposes without permission, except for specific recordings which require donor consent prior to their use or duplication.

Franklin D. RooseveltCopyright: Unless copyright information is stated in the image caption, all of the digitized material available online from the FDR Library Archives belongs in the public domain. This means that, to the best of our knowledge, the materials may be freely used.
Artist/Composer: FDR
Keywords: WW-2; history; radio; news
Creative Commons license: Public Domain

Franklin D. Roosevelt - June 6, 1944

"My Fellow Americans

Last night when I spoke with you about the fall of Rome, I knew at that moment that troops of the United States and our Allies were crossing the Channel in another and greater operation. It has come to pass with success thus far. And so, in this poignant hour, I ask you to join with me in prayer:

Almighty God: our sons, pride of our Nation, this day have set upon a mighty endeavor, a struggle to preserve our Republic, our religion, and our civilization, and to set free a suffering humanity.

Lead them straight and true; give strength to their arms, stoutness to their hearts, steadfastness in their faith. They will need Thy blessings. Their road will be long and hard. For the enemy is strong. He may hurl back our forces. Success may not come with rushing speed, but we shall return again and again; and we know that by Thy grace, and by the righteousness of our cause, our sons will triumph.

They will be sore tried, by night and by day, without rest - until the victory is won. The darkness will be rent by noise and flame. Men's souls will be shaken with the violences of war.

For these men are lately drawn from the ways of peace. They fight not for the lust of conquest. They fight to end conquest. They fight to liberate. They fight to let justice arise, and tolerance and good will among all Thy people. They yearn but for the end of battle, for their return to the haven of home.

Some will never return. Embrace these, Father, and receive them, Thy heroic servants, into Thy kingdom. And for us at home - fathers, mothers, children, wives, sisters and brothers of brave men overseas - whose thoughts and prayers are ever with them - help us, Almighty God, to rededicate ourselves in renewed faith in Thee in this hour of great sacrifice.

Many people have urged that I call the Nation into a single day of special prayer. But because the road is long and the desire is great, I ask that our people devote themselves in a continuance of prayer. As we rise to each new day, and again when each day is spent, let words of prayer be on our lips, invoking Thy help to our efforts. Give us strength, too - strength in our daily tasks, to redouble the contributions we make in the physical and the material support of our armed forces.

And let our hearts be stout, to wait out the long travail, to bear sorrows that may come, to impart our courage unto our sons wheresoever they may be.

And, O Lord, give us faith. Give us faith in Thee; faith in our sons; faith in each other; faith in our united crusade. Let not the keenness of our spirit ever be dulled. Let not the impacts of temporary events, of temporal matters of but fleeting moment - let not these deter us in our unconquerable purpose.

With Thy blessing, we shall prevail over the unholy forces of our enemy. Help us to conquer the apostles of greed and racial arrogancies. Lead us to the saving of our country, and with our sister nations into a world unity that will spell a sure peace - a peace invulnerable to the schemings of unworthy men. And a peace that will let all men live in freedom, reaping the just rewards of their honest toil. Thy will be done, Almighty God. AMEN."

Sunday, October 11, 2009

Blessed Assurance

Blessed Assurance VBR MP3 2.4 mb, Blessed Assurance OGG format 1.18 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

"Blessed Assurance" is a well-known Christian hymn. The lyrics were written in 1873 by blind hymn writer Frances Jane Crosby (March 24 1820 – February 12 1915), usually known as Fanny Crosby, she was an American lyricist best known for her Protestant Christian hymns. A lifelong Methodist, she was one of the most prolific hymnists in history, writing over 8,000 despite becoming blind shortly after birth, to the music written in 1873 by Phoebe P. Knapp. (March 9, 1839 – July 10, 1908) who wrote over 500 hymn tunes, the most familiar being Assurance for Fanny Crosby's hymn Blessed Assurance.



The hymn appeared in the July 1873 issue of Palmer's GUIDE TO HOLINESS AND REVIVAL MISCELLANY, a magazine printed by Dr. and Mrs.W.C. Palmer of 14 Bible House, New York City and indicated it had been copyrighted by Crosby that year.

Blessed AssuranceComposition Licence: This MP3 (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1924 are now in the public domain.
This file is also in the public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris in this case Frances Jane Crosby March 24 1820 – February 12 1915 and Phoebe P. Knapp, March 9, 1839 – July 10, 1908), and that most commonly runs for a period of 50 to 70 years from December 31 of that year.

Performance Licence: I, (sookietex) the creator of this work, hereby release it into the public domain. This applies worldwide. In case this is not legally possible, I grant any entity the right to use this work for any purpose, without any conditions, unless such conditions are required by law.

If This file is subject to copyright in your jurisdiction, i (sookietex) the copyright holder have irrevocably released all rights to it, allowing it to be freely reproduced, distributed, transmitted, used, modified, built upon, or otherwise exploited in any way by anyone for any purpose, commercial or non-commercial, with or without attribution of the author, as if in the public domain.

1. Blessed assurance, Jesus is mine!
Oh, what a foretaste of glory divine!
Heir of salvation, purchase of God,
Born of His Spirit, washed in His blood.

* Refrain:
This is my story, this is my song,
Praising my Savior all the day long;
This is my story, this is my song,
Praising my Savior all the day long.

2. Perfect submission, perfect delight,
Visions of rapture now burst on my sight;
Angels, descending, bring from above
Echoes of mercy, whispers of love.

3. Perfect submission, all is at rest,
I in my Savior am happy and blest,
Watching and waiting, looking above,
Filled with His goodness, lost in His love.


This audio is part of the collection: Open Source Audio
Artist/Composer: Sookietex
Keywords: Gospel; Sacred; Inspirational; Christian; hymn; Blessed Assurance
Creative Commons license: Public Domain

Thursday, October 8, 2009

Twenty Million Miles To Earth Trailer (1957)

Twenty Million Miles To Earth 512Kb MPEG4 format 7.96 mb Twenty Million Miles To Earth MPEG2 133 mb. Twenty Million Miles To Earth OGV format 7.52 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGV format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia. animated gif, 23 frames

Trailers for movies released before 1964 are in the Public Domain because they were never separately copyrighted. The law at the time granted the owner 28 years to file a copyright registration.

The trailer is published (run in a theater) before the movie itself is published. Thus, the trailer requires a separate copyright, and the scenes contained in the trailer are in Public Domain.



20 Million Miles to Earth is a American 1957 science fiction film written by Bob Williams and Christopher Knopf from an original treatment by Charlott Knight. it was developed to showcase the stop-motion animation talents of Ray Harryhausen.

This movie is part of the collection: SabuCat Movie Trailers
Audio/Visual: sound, b&w

Tuesday, October 6, 2009

Boatswain's Pipe Call All Hands

Pipe Call All Hands VBR MP3 100 kb, Pipe Call All Hands WAV 136 kb, Pipe Call All Hands OGG format 58 kb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

Before the PA sysytem was developed information or orders for the crew were passed by a boatswain's mate who first sounded the appropriate call on the pipe and then repeated the word fore and aft through out the ship. Now the word is broadcast all over the ship at once. An announcement is usually proceeded with now hear this or now hear there. Unless a boatswain's call is used. When a boatswain's call or pipe is used All Hands is used before any word concerning drills or emeregencies and Attention before any routine words.



Air Bedding, All divisions, Air bedding, First pipe, All Hands.

DefenseLINK is provided as a public service by the Office of the Assistant Secretary of Defense-Public Affairs.

Information presented on DefenseLINK is considered public information and may be distributed or copied unless otherwise specified. Use of appropriate byline/photo/image credits is requested.

This audio is part of the collection: Open Source Audio
Artist/Composer: U.S. Department of Defense
Keywords: Piping; Bosun's Pipe; boatswain's mate; pipe; All Hands
Creative Commons license: Public Domain

Sunday, October 4, 2009

Piping Aboard

Piping Aboard VBR MP3 57 kb, Piping Aboard WAV 77 kb, Piping Aboard OGG format 31 kb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

Bosun's Pipe, Piping Aboard with its distinctive low, high, low call. components of the whistle, the tube is known as the gun, the part which makes the sound is the buoy and the flat plate that holds the device together is the keel. It is suspended on a silver chain.



No self-respecting boatswain's mate would dare admit he couldn't blow his pipe in a manner above reproach. This pipe, which is the emblem of the boatswain and his mates, has an ancient and interesting history.

Boatswain piping

On the ancient row-galleys, the boatswain used his pipe to "call the stroke." Later because its shrill tune could be heard above most of the activity on board, it was used to signal various happenings such as knock-off and the boarding of officials. So essential was this signaling device to the well-being of the ship, that it became a badge of office and honor in the British and American Navy of the sailing ships.

DefenseLINK is provided as a public service by the Office of the Assistant Secretary of Defense-Public Affairs.

Information presented on DefenseLINK is considered public information and may be distributed or copied unless otherwise specified. Use of appropriate byline/photo/image credits is requested.

Artist/Composer: U.S. Department of Defense
Keywords: Piping; Bosun's Pipe; boatswain's mate; pipe
Creative Commons license: Public Domain

Friday, October 2, 2009

Inaugural of John F. Kennedy Newsreel

Kennedy Inaugural MPEG2 169 mb, Kennedy Inaugural 512Kb MPEG4 25 mb, Kennedy Inaugural Ogg Video 24 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia. . animated gif, 13 frames

JFK in Oval Office, going to the inauguration, sitting with Ike in stand, LBJ sworn in as VP by Sam Rayburn, JFK sworn in by Chief Justice Warren, JFK speaks, lunch in the Capital, a procession to the White House riding in car, watching parade ended by replica of PT boat on float; night inaugural balls with Jackie (complete newsreel)


By Universal-International Newsreel In 1976, the films' owner, MCA, made the decision to turn over ownership of all of these newsreels to the National Archives. The decision effectively ended Universal's copyright claim, releasing the films into the public domain.

This movie is part of the collection: Universal Newsreels
Keywords: Inaugural, Inauguration,
Production Company: Universal Studios
Audio/Visual: sound, b&w
Creative Commons license: Public Domain

Monday, September 28, 2009

Protest of Guinea diplomats UN General Assembly

Protest of Guinea diplomats UN General Assembly WMV 13 mb, Protest of Guinea diplomats UN General Assembly 512Kb MPEG4 9.40 mb, Protest of Guinea diplomats UN General Assembly Ogg Video 9.85 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia. . animated gif, 5 frames

Permanent United Nations Mission of the Republic of Guinea, 140 east 39th street, New York, NY 10016

Captain Moussa Dadis Camara (born 1964 in Koure, Guinea) is an officer of the Guinean army who is currently serving as the President of the Republic of Guinea's National Council for Democracy and Development (Conseil National de la Démocratie et du Développement, CNDD), which seized power in a military coup d'etat on 23 December 2008 following the death of long-time President Lansana Conté.


File License: I, (sookietex) the creator of this work, hereby release it into the public domain. This applies worldwide. In case this is not legally possible, I grant any entity the right to use this work for any purpose, without any conditions, unless such conditions are required by law.

If This file is subject to copyright in your jurisdiction, i (sookietex) the copyright holder have irrevocably released all rights to it, allowing it to be freely reproduced, distributed, transmitted, used, modified, built upon, or otherwise exploited in any way by anyone for any purpose, commercial or non-commercial, with or without attribution of the author, as if in the public domain.

This movie is part of the collection: Open Source Movies
Producer: Sookietex
Audio/Visual: sound
Keywords: Protest; Guinea; diplomats; UN; General Assembly
Creative Commons license: Public Domain

SOURCES:

Sunday, September 27, 2009

Airborne Jump with Combat Equipment

Airborne Jump WMV 6.14 mb, Airborne Jump 512Kb MPEG4 12 mb, Airborne Jump Ogg Video 12 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia. . animated gif, 7 frames

The 1st Battalion (Airborne), 507th Infantry Regiment has the responsibility to conduct the U.S. Army Airborne School. The Airborne School instructors are the world renowned "Black Hats" and are from the U.S. Army, Marine Corps, Navy and Air Force. Students are trained in the use of static line deployed parachutes.


Students are trained by the same Platoon Sergeants, Section Sergeants, and Squad Leaders for all three phases of training, (Ground, Tower, and Jump). The execution of this teaching philosophy strengthens unit cohesion, discipline, and supervision while providing quality paratroopers throughout the force.

This website contains a collection of videos, from the Army, Fort Benning Leaders, and Soldiers in training.

Information available at WWW.ARMY.MIL is consistent with Army and DoD policies and The Principles of Information and contains information cleared for public release.

The Army Home Page is provided as a public service by The Office of the Chief of Staff of the Army in coordination with Army Public Affairs.

Information presented on The Army Home Page is considered public information and may be distributed or copied unless otherwise specified. Use of appropriate byline/photo/image credits is requested.

Producer: U.S. Army Infantry Center and School
Audio/Visual: sound
Keywords: Airborne Jump; Airborne School; Fort Benning; Army; paratroop; Parachute
Creative Commons license: Public Domain

Thursday, September 24, 2009

The church in the wildwood 'the little brown church in the vale'

Original wav file from The Library of Congress converted to mp3 with Media Converter SA Edition . Noise and clicks removed, amplified, bass boosted and stereo channel added with Audacity by sookietex. church in the wildwood VBR MP3 3.67 mb, church in the wildwood OGG format 1.16 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

Original WAV version from The Library of Congress church in the wildwood WAV 10 mb

The church in the wildwood 'the little brown church in the vale' / Dr. Wm. S. Pitts ; [performed by] Apollo Quartet of Boston.



"The Church in the Wildwood" is a song that was written by Dr. William S. Pitts in 1857 following a coach ride that stopped in Bradford, Iowa.

During a stagecoach ride to visit his fiancée in Fredericksburg, Iowa, he stopped at Bradford. Dr. Pitts found particular beauty in the wooded valley of the Cedar River. While viewing the spot, Pitts envisioned a church building there. Returning home, he wrote "The Church in the Wildwood"

The Library of Congress is not aware of any U.S. copyright protection (see Title 17, U.S.C.) or any other restrictions in the materials in the Inventing Entertainment: The Motion Pictures and Sound Recordings of the Edison Companies.

Suggested credit line: Library of Congress, Motion Picture, Broadcasting, and Recorded Sound Division.

CREATED, PUBLISHED: Orange, N.J. : Edison, 1919. NOTES: Coupling date: 7/23/1918. Cutout date: 10/31/1929. On label: male voices with organ. With (reverse side): Ninety and nine / Christine Miller.

SUBJECTS: Church music. Sacred quartets with organ. Sacred vocal music. Hymns.

RELATED NAMES: Performer: Apollo Quartet of Boston. MEDIUM: 1 sound disc : analog, 80 rpm ; 10 in. CALL NUMBER: Edison Diamond Disc 80416-L. REPOSITORY: Library of Congress Motion Picture, Broadcasting and Recorded Sound Division Washington, D.C. 20540 USA

DIGITAL ID: edrs 80416l

Of all his inventions, Thomas A. Edison was most fond of the phonograph. As a result of his work on two other inventions, the telegraph and the telephone, Edison happened upon a way to record sound on tinfoil-coated cylinders in 1877. Edison set aside this invention in 1878 to work on the incandescent light bulb.

Artist/Composer: Library of Congress, Motion Picture, Broadcasting, and Recorded Sound Division
Keywords: Church music; Hymns; Edison Companies; little brown church
Creative Commons license: Public Domain

Monday, September 21, 2009

Mazel tov

Noise removed, bass boosted and stereo channel added with Audacity by sookietex. Mazel tov VBR MP3 2.18 mb, Mazel tov OGG format 1.03 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

Original MP3 version from the National Park Service Mazel tov VBR MP3 2.64 mb

Performed by: I. J. Hochman's Yiddisher Orchester. Record format: Edison Diamond Disc
Matrix number: 6500-B-2-1. Recording date: December 11, 1918. Release number: 59500-L. Release date: c. April 1919. NPS object catalog number: EDIS 44419





Disclaimer: This website and the information it contains are provided as a public service by the National Park Service (NPS), U.S. Department of the Interior.

Ownership: Information presented on this website, unless otherwise indicated , is considered in the public domain. It may may be distributed or copied as is permitted by the law.

Performance and Composition Licence: This MP3 (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office. Works published before 1924 are now in the public domain. If your use will be outside the United States please check your local law.

The archive at Edison National Historic Site includes approximately 48,000 disc and cylinder records produced by Edison in West Orange, New Jersey, between 1888 and 1929. Many of these, including unreleased and experimental recordings, have been at the Laboratory since Edison's lifetime. Some of the earliest examples of recorded sound in existence are preserved within this unique collection.

Artist/Composer: Edison National Historic Site
Keywords: Mazel tov; Edison National Historic Site; National Park Service; Edison Diamond Disc
Creative Commons license: Public Domain