Sunday, September 26, 2010

The Teddy Bears Picnic

Teddy Bears Picnic 64Kbps MP3 959.9 kb, Teddy Bears Picnic VBR MP3 2.3 mb, Teddy Bears Picnic OGG format 706 kb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia

The Teddy Bears Picnic by The Edison Symphony Orchestra (1908) Cylinder # 9777 publishers, M. Witmark & Sons, New York. Melody composed by John Walter Bratton in 1907.

Composition Licence: This MP3 (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1923 (in this case 1907) are now in the public domain.



This audio is part of the collection: 78 RPMs & Cylinder Recordings
Artist/Composer: The Edison Symphony Orchestra
Keywords: The Edison Symphony Orchestra
Creative Commons license: Public Domain

Sunday, September 19, 2010

Hungarian rhapsody by Franz Liszt

Background noise removed, with Audacity by sookietex. Hungarian rhapsody WAV 22.8 mb, Hungarian rhapsody VBR MP3 2.4 mb, Hungarian rhapsody OGG format 1.4 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

Hungarian rhapsody no. 2 - part 1. Performed by: Edison Concert Band. Composed by: Franz Liszt. Record format: Edison Diamond Disc. Matrix number: 2567-A-1-2 [7-1]. Recording date: 1913. Release number: 80135-R. Release date: August 1914. NPS object catalog number: EDIS 43462.

Hungarian Rhapsody No. 2, is the second in a set of 19 Hungarian Rhapsodies by composer Franz Liszt. Composed in 1847 and dedicated to Count László Teleki, Hungarian Rhapsody No. 2 was first published as a piano solo in 1851 by Senff and Ricordi.


Hungarian Rhapsody No. 2

Hungarian Rhapsody No. 2 Main Theme from Friska
Performance Licence: Disclaimer: This website and the information it contains are provided as a public service by the National Park Service (NPS), U.S. Department of the Interior.

Ownership: Information presented on this website, unless otherwise indicated , is considered in the public domain. It may may be distributed or copied as is permitted by the law.

Composition Licence: This MP3 (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1923 (in this case 1851) are now in the public domain.

This MP3 (or other media file) is also in the public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris) in this case Franz Liszt (October 22, 1811 – July 31, 1886) and that most commonly runs for a period of 50 to 70 years from December 31st of that year.

This audio is part of the collection: Community Audio
Artist/Composer: National Park Service (NPS)
Keywords: Hungarian rhapsody; Franz Liszt
Creative Commons license: Public Domain

Sunday, September 12, 2010

American Airlines Flight 77 9/11 Crash into Pentagon

American Airlines Flight 77 WMV format 17.5 mb American Airlines Flight 77 512Kb MPEG4 12.5 mb. American Airlines Flight 77 OGV format 6.6 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGV format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia. animated gif, 7 frames 99.6 KB,

East view of 9/11 Attack on Pentagon 3:22, Security gate video of American Airlines Flight 77 crash into Pentagon, September 11, 2001, east view.

Department of Defense: This Web site is provided as a public service by the Office of the Assistant Secretary of Defense-Public Affairs.

Information presented on this Web site is considered public information and may be distributed or copied unless otherwise specified. Use of appropriate byline, photo, image credits is requested.


American Airlines Flight 77 was scheduled to depart from Washington Dulles for Los Angeles at 8:10. The aircraft was a Boeing 757 piloted by Captain Charles F. Burlingame and First Officer David Charlebois. There were four flight attendants. On September 11, the flight carried 58 passengers.

American 77 pushed back from its gate at 8:09 and took off at 8:20. At 8:46, the flight reached its assigned cruising altitude of 35,000 feet. Cabin service would have begun. At 8:51, American 77 transmitted its last routine radio communication. The hijacking began between 8:51 and 8:54. As on American 11 and United 175, the hijackers used knives (reported by one passenger) and moved all the passengers (and possibly crew) to the rear of the aircraft (reported by one flight attendant and one passenger). Unlike the earlier flights, the Flight 77 hijackers were reported by a passenger to have box cutters. Finally, a passenger reported that an announcement had been made by the "pilot" that the plane had been hijacked. Neither of the firsthand accounts mentioned any stabbings or the threat or use of either a bomb or Mace, though both witnesses began the flight in the first-class cabin.

At 8:54, the aircraft deviated from its assigned course, turning south. Two minutes later the transponder was turned off and even primary radar contact with the aircraft was lost. The Indianapolis Air Traffic Control Center repeatedly tried and failed to contact the aircraft. Amer ican Airlines dispatchers also tr ied, without success.

At 9:00, Amer ican Airlines Executive Vice President Gerard Arpey learned that communications had been lost with American 77. This was now the second American aircraft in trouble. He ordered all American Airlines flights in the Northeast that had not taken off to remain on the ground. Shortly before 9:10, suspecting that American 77 had been hijacked, American headquarters concluded that the second aircraft to hit the World Trade Center might have been Flight 77. After learning that United Airlines was missing a plane,American Airlines headquarters extended the ground stop nationwide.

At 9:12, Renee May called her mother, Nancy May, in Las Vegas. She said her flight was being hijacked by six individuals who had moved them to the rear of the plane. She asked her mother to alert American Airlines. Nancy May and her husband promptly did so.

At some point between 9:16 and 9:26, Barbara Olson called her husband, Ted Olson, the solicitor general of the United States. She reported that the flight had been hijacked, and the hijackers had knives and box cutters. She further indicated that the hijackers were not aware of her phone call, and that they had put all the passengers in the back of the plane. About a minute into the conversation, the call was cut off. Solicitor General Olson tried unsuccessfully to reach Attorney General John Ashcroft.

Shortly after the first call, Barbara Olson reached her husband again. She reported that the pilot had announced that the flight had been hijacked, and she asked her husband what she should tell the captain to do.Ted Olson asked for her location and she replied that the aircraft was then flying over houses. Another passenger told her they were traveling northeast.The Solicitor General then informed his wife of the two previous hijackings and crashes. She did not display signs of panic and did not indicate any awareness of an impending crash. At that point, the second call was cut off.

At 9:29, the autopilot on American 77 was disengaged; the aircraft was at 7,000 feet and approximately 38 miles west of the Pentagon.59 At 9:32, controllers at the Dulles Terminal Radar Approach Control "observed a primary radar target tracking eastbound at a high rate of speed." This was later deter- mined to have been Flight 77.

At 9:34,Ronald Reagan Washington National Airport advised the Secret Service of an unknown aircraft heading in the direction of the White House.American 77 was then 5 miles west-southwest of the Pentagon and began a 330-degree turn. At the end of the turn, it was descending through 2,200 feet, pointed toward the Pentagon and downtown Washington. The hijacker pilot then advanced the throttles to maximum power and dove toward the Pentagon.

At 9:37:46, American Airlines Flight 77 crashed into the Pentagon, traveling at approximately 530 miles per hour. All on board, as well as many civilian and military personnel in the building, were killed.
9/11 Commission Report The Hijacking of American 77

This movie is part of the collection: Community Video
Producer: Department of Defense
Audio/Visual: sound
Keywords: Flight 77; Pentagon; 9/11; September 11;
Creative Commons license: Public Domain

Sunday, September 5, 2010

Yellow Rose of Texas

Yellow Rose of Texas VBR MP3 8.5 mb, Yellow Rose of Texas OGG format 4.4 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

The Coast Guard Band: Ownership Information presented on this web site in the non-logged in domain is considered public information and may be distributed or copied.

Band Admin. U.S. Coast Guard Band 15 Mohegan Ave. (pb) New London, CT 06320.

Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office.


Yellow Rose of TexasThe Center for American History at the University of Texas has an unpublished early handwritten version of the song, perhaps dating from the time of the Battle of San Jacinto in 1836. The author is unknown; the earliest published version, by Firth, Pond and Company of New York and dated September 2, 1858, identifies the composer and arranger as "J.K."; its lyrics are "almost identical" to those in the handwritten manuscript, though it states it had been arranged and composed for the vaudeville performer Charles H. Brown.
The song is based on a Texas legend from the days of the Texas War of Independence. According to the legend, a woman named Emily D. West — a mulatto, and hence, the song's reference to her being "yellow" — who was seized by Mexican forces during the looting of Galveston seduced General Antonio López de Santa Anna, President of Mexico and commander of the Mexican forces. The legend credits her supposed seduction with lowering the guard of the Mexican army and facilitating the Texan victory in the Battle of San Jacinto waged in 1836 near present-day Houston. Santa Anna's opponent was General Sam Houston, who won the battle literally in minutes, and with almost no casualties.

This audio is part of the collection: Community Audio
Artist/Composer: U.S. Coast Guard Band
Keywords: Yellow Rose; Texas
Creative Commons license: Public Domain

AUDIO CREDIT: The U.S. Coast Guard Band

TEXT CTEDIT: The Yellow Rose of Texas (song) From Wikipedia, the free encyclopedia

Sunday, August 29, 2010

The twenty-third Psalm

Noise removed, Amplified and channel added with Audacity by sookietex. Twenty-third Psalm WAV 19.9 mb, Twenty-third Psalm VBR MP3 2.6 mb, Twenty-third Psalm OGG format 934.2 kb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

The twenty-third Psalm / Rev. William H. Morgan D.D. He leadeth me / Bradbury ; [performed by] Rev. William H. Morgan D.D. and the Calvary Choir.

OTHER TITLES: He leadeth me CREATED, PUBLISHED: Orange, N.J. : Edison, 1919. NOTES: Coupling date: 4/16/1919. Cutout date: 10/31/1929.



On label: scripture lesson with hymn, organ and orchestra accompaniment; liner notes available. With (reverse side): St. John 14: 1-3, 25-27 ; The precious name / Rev. William H. Morgan D.D. and the Cavalry Choir.

RELATED NAMES: Performer: William H. Morgan. MEDIUM: 1 sound disc : analog, 80 rpm ; 10 in. CALL NUMBER: Edison Diamond Disc 80471-R. Edison Sound Recordings
The National Phonograph Co. and Thomas A. Edison, Inc.

REPOSITORY: Library of Congress Motion Picture, Broadcasting and Recorded Sound Division Washington, D.C. 20540 USA. DIGITAL ID: edrs 80471r.

The Library of Congress is not aware of any U.S. copyright protection (see Title 17, U.S.C.) or any other restrictions in the materials in the Inventing Entertainment: The Motion Pictures and Sound Recordings of the Edison Companies. Suggested credit line: Library of Congress, Motion Picture, Broadcasting, and Recorded Sound Division.

This audio is part of the collection: Community Audio
Artist/Composer: The Edison Companies
Keywords: Ttwenty-third Psalm
Creative Commons license: Public Domain

Sunday, August 22, 2010

The Texas Ranger

Noise removed and channel added with Audacity by sookietex. The Texas Ranger WAV 5.1 mb, The Texas Ranger VBR MP3 705.9 kb, The Texas Ranger OGG format 246.4 kb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

In this traditional song, a Texas Ranger bids farewell to the frontier. The John and Ruby Lomax 1939 Southern States Recording Trip

PERFORMER(S): E.A. Briggs. DATE: 5/5/1939. FORMAT: sound recording. INSTRUMENTATION: vocals



LOCATION(S): Home of Beal D. Taylor, near Medina, Bandera County, Texas, TYPE OF RECORDING SITE: home. GENRE: cowboy songs. CALL NUMBER: AFC 1939/001 2640b1. DIGITAL ID: afcss39 2640b1.

Copyright and Restrictions: The Library of Congress is not aware of any U.S. copyright protection (see Title 17, U.S.C.) or any other restrictions on the materials in the Southern Mosaic: The John and Ruby Lomax 1939 Southern States Recording Trip.

The Library of Congress has exhaustively researched this Collection to ascertain any possible legal rights embodied in the materials in the Collection.

This audio is part of the collection: Community Audio
Artist/Composer: Archive of Folk Culture Library of Congress
Keywords: Texas Ranger; Texas
Creative Commons license: Public Domain

Sunday, August 15, 2010

Drum Cadence 6/8 Time

Drum Cadence 6/8 Time VBR MP3 1.4 mb, Drum Cadence 6/8 Time OGG format 977.6 kb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

Navy Bands aren't just about ceremonies - we play all types of music. Enjoy the sounds of some of the finest musicians in the world!

1. This is a World Wide Web site for official information about Navy Personnel Command. It is provided as a public service by Navy Personnel Command. The purpose is to provide information and news about Navy Personnel Command to the general public.

2. All information on this site is public domain and may be distributed or copied unless otherwise specified. Use of appropriate byline/photo/image credits is requested.

Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office.



This audio is part of the collection: Community Audio
Artist/Composer: U.S. Navy Band
Keywords: Drum Cadence
Creative Commons license: Public Domain

Sunday, August 8, 2010

Lonesome road blues

Noise removed and channel added with Audacity by sookietex. Lonesome road blues WAV 34.6 mb, Lonesome road blues VBR MP3 1.9 mb, Lonesome road blues OGG format 1.4 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

Performed by: The Blue Ridge Duo (Gene Austin and George Reneau) Record format: Edison Diamond Disc Matrix number: 9727-B-4-5 Release number: 51515-R Recording date: September 22, 1924 Release date: May 1925 NPS object catalog number: EDIS 42868.



Gene Austin (June 24, 1900 – January 24, 1972) was an American singer and songwriter, one of the first "crooners". His 1920s compositions "When My Sugar Walks Down the Street" and "The Lonesome Road" became pop and jazz standards.

Ownership: Information created or owned by the NPS and presented on this website, unless otherwise indicated, is considered in the public domain. It may be distributed or copied as permitted by applicable law.

Performance Licence: Disclaimer, This website and the information it contains are provided as a public service by the National Park Service (NPS), U.S. Department of the Interior.

Ownership: Information presented on this website, unless otherwise indicated , is considered in the public domain. It may may be distributed or copied as is permitted by the law.

This audio is part of the collection: Community Audio
Artist/Composer: The Blue Ridge Duo
Keywords: blues
Creative Commons license: Public Domain

Sunday, August 1, 2010

Kids Carnival Rides Central Park New York City Skyline

Kids Carnival Rides WMV format 14.7 mb Kids Carnival Rides 512Kb MPEG4 9.6 mb. Kids Carnival Rides OGV format 10.0 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGV format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia. animated gif, 5 frames

Kids Carnival Rides Central Park New York City Skyline. Carnival Rides Central Park at the Wollman Rink! The Victorian Gardens offer a wide assortment of rides, games, and food.

Attractions include the Family Swinger, Samba Balloon, Aeromax, Convoy, Rockin’ Tug, Kite Flyer, Fun Slide, HydroRacer, and Mini Mouse Coaster. Children under 36 inches tall are admitted free with paid adult ticket.

New York City skyline of Central Park South in the background


Video License: I, (sookietex) the creator of this work, hereby release it into the public domain. This applies worldwide. In case this is not legally possible, I grant any entity the right to use this work for any purpose, without any conditions, unless such conditions are required by law.

If This video file is subject to copyright in your jurisdiction, i (sookietex) the copyright holder have irrevocably released all rights to it, allowing it to be freely reproduced, distributed, transmitted, used, modified, built upon, or otherwise exploited in any way by anyone for any purpose, commercial or non-commercial, with or without attribution of the author, as if in the public domain.

This movie is part of the collection: Community Video
Producer: Sookietex
Audio/Visual: sound, color
Keywords: Central Park
Creative Commons license: CC0 1.0 Universal

Sunday, July 25, 2010

Sharp Thunder

Sharp Thunder VBR MP3 200.4 kb, Sharp Thunder OGG format 112.8 kb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

US Dept of Commerce, National Oceanic and Atmospheric Administration, National Weather Service. The information on government servers is in the public domain, unless specifically annotated otherwise, and may be used freely by the public.

Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office.



The temperature of the atmosphere affects the thunder sound you hear as well as how far away you can hear it. Sound waves move faster in warm air than they do in cool air. Typically, the air temperature decreases with height. When this occurs, thunder will normally have an audible range up to 10 miles (16 km).

However, when the air temperature increases with height, called an inversion, sound waves are refracted (bent back toward the earth) as they move due to their faster motion in the warmer air. Normally, only the direct sound of thunder is heard. But refraction can add some additional sound, effectively amplifying the thunder and making it sound louder.

Graphic showing how refraction of sound leads to louder thunderThis is more common in the winter as thunderstorms develop in the warm air above a cooler surface air mass. If the lightning in these "elevated thunderstorms" remains above the inversion, then most of the thunder sound also remains above the inversion. However, much of the sound waves from cloud-to-ground strikes remain below the inversion giving thunder a much louder impact.

This audio is part of the collection: Community Audio
Artist/Composer: National Oceanic and Atmospheric Administration
Keywords: Thunder
Creative Commons license: Public Domain

Sunday, July 18, 2010

Anchors Aweigh

Anchors Aweigh VBR MP3 313.2 kb, Anchors Aweigh WAVE format 826.5 kb Anchors Aweigh OGG format 311.7 kb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

Performance Licence: Defense.gov is provided as a public service by the Office of the Assistant Secretary of Defense-Public Affairs. Information presented on Defense.gov is considered public information and may be distributed or copied unless otherwise specified. Use of appropriate byline/photo/image credits is requested.



Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office.

Composition Licence: Tune, Charles A. Zimmermann Lyrics, Alfred Hart Miles. This MP3 (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1923, in this case 1906, are now in the public domain.

The word "weigh" in this sense comes from the archaic word meaning to heave, hoist or raise. "Aweigh" means that that action has been completed. The anchor is aweigh when it is pulled from the bottom. This event is duly noted in the ship's log.

History
Lieut. Charles A. Zimmermann, USN, a graduate of the Peabody Conservatory in Baltimore, had been selected as the bandmaster of the Naval Academy Band in 1887 at the age of 26. His father, Charles Z. Zimmermann, had played in the band during the Civil War years. Early in his career, Lieut. Zimmermann started the practice of composing a march for each graduating class. By 1892, "Zimmy", as he was affectionately known by the midshipmen, became so popular that he was presented with a gold medal by that year's class. More gold medals followed as Zimmermann wrote a march for each succeeding class

In 1906, Lieut. Zimmerman was approached by Midshipman First Class Alfred Hart Miles with a request for a new march. As a member of the Class of 1907, Miles and his classmates "were eager to have a piece of music that would be inspiring, one with a swing to it so it could be used as a football marching song, and one that would live forever."

Supposedly, with the two men seated at the Naval Academy Chapel organ, Zimmermann composed the tune and Miles set the title and wrote to two first stanzas in November 1906. This march was played by the band and sung by the brigade at the 1906 Army-Navy football game later that month, and for the first time in several seasons, Navy won. This march, Anchors Aweigh, was subsequently dedicated to the Academy Class of 1907 and adopted as the official song of the U.S. Navy. The concluding stanza was written by Midshipman Royal Lovell, Class of 1926.

Original Lyrics
[Verse 1]
Stand Navy down the field, sails set to the sky.
We'll never change our course, so Army you steer shy-y-y-y.
Roll up the score, Navy, Anchors Aweigh.
Sail Navy down the field and sink the Army, sink the Army Grey.

[Verse 2]
Get underway, Navy, Decks cleared for the fray,
We'll hoist true Navy Blue So Army down your Grey-y-y-y.
Full speed ahead, Navy; Army heave to,
Furl Black and Grey and Gold and hoist the Navy, hoist the Navy Blue

[Verse 3]
Blue of the Seven Seas; Gold of God's great sun
Let these our colors be Till all of time be done-n-n-ne,
By Severn shore we learn Navy's stern call:
Faith, courage, service true With honor over, honor over all.


This audio is part of the collection: Community Audio
Artist/Composer: the Department of Defense
Keywords: Anchors Aweigh; Navy; march
Creative Commons license: Public Domain

Sunday, July 11, 2010

Barnum and Bailey's Favorite

Barnum and Bailey's Favorite VBR MP3 2.5 mb, Barnum and Bailey's Favorite OGG format 1.7 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

Barnum and Bailey's Favorite, march for orchestra (or band) Date: 1913 Composer: Karl Laurence King (February 21, 1891 - March 31, 1971) , in Paintersville, OH. Period: Romantic (1820-1869)

In 1901, he began playing in and directing circus bands, including those of Barnum and Bailey, Robinson Famous Shows, the Sells-Floto Circus, and Buffalo Bill's Wild West Show. "Barnum and Bailey's Favorite" remains his best known circus march.



Karl Lawrence King

Karl Lawrence King at the age of 35
Performance Licence: The USAF Heritage of America Band's Web site is provided as a public service by Air Combat Command and the Department of the Air Force.

Information presented on this site is considered public information and may be distributed or copied. Use of appropriate byline/photo/image credits is requested.

Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office.
Composition Licence: Published by Karl Laurence King in 1913. This MP3 (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1923, in this case 1913, are now in the public domain.

This audio is part of the collection: Community Audio
Artist/Composer: The USAF Heritage of America Band
Keywords: Barnum and Bailey; march
Creative Commons license: Public Domain

Saturday, July 3, 2010

Fourth of July Fireworks

Fourth of July Fireworks WMV format 14.5 mb Fourth of July Fireworks 512Kb MPEG4 41.6 mb. Fourth of July Fireworks OGV format 43.2 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGV format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia. animated gif, 22 frames

Date Taken: 07.04.2004 Posted: 07.10.2008 06:09 Video Location: IQ.

B-roll of a fireworks display in celebration of Independence Day in Tikrit, Iraq. Scenes include footage of the fireworks exploding over the base.

Category: B-Roll Video ID: 41426 Filename: 0807/DOD_100021939.wmv Size: 14.49 MB Length: 00:10:43.


The Digital Video and Imagery Distribution System (DVIDS) is provided as a public service operated by Third Army/U.S. Army Central (ARCENT) on behalf of the Department of the Army in support of all branches of the U.S. military (Navy, Air Force, Marines) and its Coalition partners serving in the U.S. Forces Central Command (CENTCOM) area of responsibility.

Information presented on or via DVIDS is considered public information and may be distributed or copied unless otherwise specified. Use of appropriate byline/photo/image credits is requested.

This movie is part of the collection: Community Video
Producer: Digital Video and Imagery Distribution System
Audio/Visual: sound
Keywords: Fourth of July; Fireworks; Independence Day
Creative Commons license: Public Domain

Sunday, June 27, 2010

White Water on the North Fork Payette River, Idaho

White Water Payette River Flash Video format 6.1 mb White Water Payette River 512Kb MPEG4 4.5 mb. White Water Payette River OGV format 5.1 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGV format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia. animated gif, 14 frames

Title: High Flow on the North Fork Payette River, Idaho.

Description: Field measurements at about 4;00 p.m. on Wednesday, June 9, 2010 at gage 13246000, North Fork Payette River near Banks, Idaho. Measured discharge was at 7,500 cfs. Beginning the weekend of June 3-4, the Payette rose quickly to above flood stage. The peak of record for this gage is 8,830 cfs, recorded May 11, 1947.

Location: Banks, ID, USA. Date Taken: 6/9/2010 Length: 1:05 Video Producer/Videographer: John Wirt , U.S. Geological Survey.


Copyrights and Credits. USGS-authored or produced data and information are considered to be in the U.S. public domain.

When using information from USGS information products, publications, or Web sites, we ask that proper credit be given. Credit can be provided by including a citation such as the following:

Credit: U.S. Geological Survey. Department of the Interior/USGS. U.S. Geological Survey/photo by Jane Doe (if the photographer/artist is known)

Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office.

This movie is part of the collection: Community Video
Producer: U.S. Geological Survey
Audio/Visual: sound
Keywords: White Water; Payette River; Idaho; U.S. Geological Survey
Creative Commons license: Public Domain

Saturday, June 19, 2010

To The Colors

To The Colors VBR MP3 498.7 mb, To The Colors OGG format 422.1 kb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

To the Color is a bugle call to render honors to the nation. It is used when no band is available to render honors, or in ceremonies requiring honors to the nation more than once. To the Color commands all the same courtesies as the National Anthem.

U.S. Army Bands Online (ABO) is provided as a public service by the Chief of Army Bands.



Unless specified otherwise, information presented on ABO is considered public information and may be distributed or copied. Use of appropriate byline/photo/image credits is requested.

To The ColorsGenerally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office.
This audio is part of the collection: Community Audio
Artist/Composer: U.S. Army Bands Online
Keywords: Bugle Calls; National Anthem. To The Colors
Creative Commons license: Public Domain.

Wednesday, June 9, 2010

Deepwater Horizon Fire

Deepwater Horizon fire WMV format 16 mb Deepwater Horizon fire 512Kb MPEG4 9.2 mb. Deepwater Horizon fire OGV format 1 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGV format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia. animated gif, 5 frames

NEW ORLEANS - Fire boat response crews battle the blazing remnants of the off shore oil rig Deepwater Horizon April 21, 2010. A Coast Guard MH-65C Dolphin rescue helicopter and crew document the fire aboard the mobile offshore drilling unit Deepwater Horizon, while searching for survivors April 21, 2010. Multiple Coast Guard helicopters, planes and cutters responded to rescue the Deepwater Horizon's 126 person crew.

Ownership: Information presented on this web site (uscg.mil) in the non-logged in domain is considered public information and may be distributed or copied.


Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office.

Producer: United States Coast Guard
Audio/Visual: sound
Keywords: Deepwater Horizon Fire; gulf oil spill
Creative Commons license: Public Domain

Sunday, June 6, 2010

God Bless America

God Bless America VBR MP3 2.57 mb, God Bless America OGG format 1.60 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

Music performed by: The Marine Band Parris Island.

This is an official Marine Corps website, and is provided as a public service by the Marine Corps Division of Public Affairs.

Information presented on this site is considered public information and may be distributed or copied. Use of appropriate byline/photo/image credits is requested.



Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office.

On October 28, 1915, the Department of the Navy officially transferred Marine Corps Recruit Training from Norfolk, Virginia to Parris Island, South Carolina. Among the first 750 Marines sent to Parris Island was the Depot’s first Band Master, Sergeant William Gauer. Along with the Drum Major, Sgt Anton Schnichowski, and a group of Marine Musicians, the Parris Island Marine Band was formed. Prior to the forming of this Band, musicians were being trained in their individual bands throughout the fleet. A field music school was established at Parris Island to train buglers, who were still being used for calls and signals. Musicians also doubled as Markmanship Instructors, Close Combat Instructors, and also provided support for various units on the Depot.

This audio is part of the collection: Community Audio
Artist/Composer: The Marine Band Parris Island
Keywords: God Bless America
Creative Commons license: Public Domain

Sunday, May 30, 2010

History of the Battle of Midway VIDEO

Battle of Midway WMV format 8.52 mb Battle of Midway 512Kb MPEG4 7.98 mb. Battle of Midway OGV format 9.69 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGV format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia. animated gif, 5 frames

JUNE 4TH, 1942 - SIX MONTHS AFTER THE ATTACK ON PEARL HARBOR - JAPAN ATTEMPTED TO INVADE HAWAII WITH AN ATTACK ON MIDWAY ATOLL.

MIDWAY WOULD GIVE JAPAN ACCESS TO HAWAII, HOME OF U.S. PACIFIC FLEET AND A POSSIBLE OUTPOST TO WATCH ANY FUTURE THREAT BY THE U.S.

JAPAN'S PLAN WAS TO LURE U.S. CARRIERS SOUTH OF MIDWAY, WHILE A JAPANESE CARRIER FORCE SURPRISED THEM FROM THE NORTH.


JAPANESE INTELLIGENCE LED THEM TO BELIEVE ONLY TWO CARRIERS WOULD BE AT MIDWAY AT THE TIME, USS HORNET AND USS ENTERPRISE.

U.S. INTELLIGENCE HAD BROKEN THE JAPANESE NAVAL CODE. INTEL COULD DETERMINE EXACTLY WHEN THE ATTACK WOULD TAKE PLACE, AND PREDICT THE LOCATION OF THE PLANNED ATTACK.

REAR ADMIRAL RAYMOND SPRUANCE COMMANDED TASK FORCE 16, FORMED AROUND HORNET AND ENTERPRISE.

USS YORKTOWN, DAMAGED EARLIER IN BATTLE, WAS RUSHED THROUGH YARD REPAIRS. REAR ADMIRAL FRANK JACK FLETCHER COMMANDED TASK FORCE 17, FORMED AROUND YORKTOWN.

THE THREE-DAY BATTLE BEGAN WITH U.S. ARMY BOMBERS, AND U.S. MARINE CORPS TORPEDO PLANES AND DIVE BOMBERS LEAVING MIDWAY TO ATTACK THE APPROACHING ENEMY.

U.S. CARRIERS AND AIRCRAFT SUNK FOUR OF JAPAN'S CARRIERS, A HEAVY CRUISER, AND THREE DESTROYERS. THEY ALSO SHOT DOWN AN ESTIMATED 291 AIRCRAFT.

THE UNITED STATES LOST USS YORKTOWN, USS HAMMANN AND 145 AIRCRAFT BEFORE THE BATTLE WAS OVER.

THANKS TO AMERICAN SIGNALS INTELLIGENCE, AIRCRAFT CARRIER TACTICS, AND DETERMINATION AND COURAGE OF PILOTS AND CREWS, THE UNITED STATES HANDED JAPAN A DEFEAT.

THE VICTORY OF THE BATTLE OF MIDWAY WAS THE TURNING POINT OF THE WAR IN THE PACIFIC AND THE POWER OF SEA-BORNE AIRCRAFT.

MIDWAY HIGHLIGHTED THE HEROES OF THE U.S. MILITARY, AND SET THE STAGE FOR THE CARRIER-BASED NAVY OF TODAY.

This is a World Wide Web site for official information about the United States Navy. It is provided as a public service by the U.S. Navy's Office of Information, Washington, D.C.. The purpose of this Web site is to provide information about the United States Navy to the general public. All information on this site is considered public information and may be distributed or copied unless otherwise specified. Use of appropriate byline/photo/image credits is requested.

Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office.

This movie is part of the collection: Community Video
Producer: U.S. Navy News Service
Audio/Visual: sound, color
Keywords: Battle of Midway; PEARL HARBOR; USS HORNET; USS ENTERPRISE; RAYMOND SPRUANCE; DIVE BOMBERS; USS YORKTOWN; U.S. Navy.
Creative Commons license: Public Domain

Sunday, May 23, 2010

Wolves in Glacier National Park VIDEO

Title: Wolves in Glacier National Park. Description: Eight wolves walk past a bear rub tree in Glacier National Park. Location: Glacier National Park, MT, USA. Date Taken: 8/28/2006 Video Producer/Videographer: J.Stetz / A.Macleod , U.S. Geological Survey.

Quicktime (MP4 File - 1.94 MB) || 3GP (3GP File - 2.16 MB) || Embedded video (FLV File - 1.00 MB)

From the USGS Northern Divide Bear Project, Northern Rocky Mountain Science Center.


Copyrights and Credits:bUSGS-authored or produced data and information are considered to be in the U.S. public domain.

When using information from USGS information products, publications, or Web sites, we ask that proper credit be given. Credit can be provided by including a citation such as the following:

Credit: U.S. Geological Survey. Department of the Interior/USGS U.S. Geological Survey/photo by Jane Doe (if the photographer/artist is known)

Sunday, May 16, 2010

Black America Edison Concert Band 1899

Hiss and clicks removed, bass boosted and equalized with Audacity by sookietex. Black America VBR MP3 2.28 mb, Black America OGG format 1.16 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

1895 "Black America," by Harry H. Zickel leader of the Zickel Orchestra of Detroit.


Composition and Licence: This MP3 (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF in PDF format from the U.S. Copyright Office. Works published before 1923 in this case 1895 are now in the public domain.

Performance Licence: This MP3 (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1923 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1923 are now in the public domain. In this case 1899.

Artist/Composer: Edison Concert Band
Keywords: Edison Concert Band

Saturday, May 8, 2010

Frankenstein (1910)

Frankenstein 512Kb MPEG4 format 51 mb Frankenstein MPEG4 39 mb. Frankenstein OGV format 49 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGV format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia. animated gif, 26 frames

Frankenstein is the 1910 film made by Edison Studios, written and directed by J. Searle Dawley. It was the first motion picture adaptation of Mary Shelley's Frankenstein. The unbilled cast included Augustus Phillips as Dr. Frankenstein, Charles Ogle as the Monster, and Mary Fuller as the doctor's fiancée.

Shot in three days, it was filmed at the Edison Studios in the Bronx, New York City.

This is Edison's COMPLETE 1910 silent Frankenstein film.
This movie is part of the collection: Silent Films
Producer: Thomas Edison
Audio/Visual: sound, color
Keywords: Edison; Silent; Horror; Frankenstein



From The Edison Kinetogram:

Frankenstein, a young student, is seen bidding his sweetheart and father goodbye, as he is leaving home to enter a college in order to study the sciences. Shortly after his arrival at college he becomes absorbed in the mysteries of life and death to the extent of forgetting practically everything else.
Frankenstein (1910 film)His great ambition is to create a human being, and finally one night his dream is realized. He is convinced that he has found a way to create a most perfect human being that the world has ever seen. We see his experiment commence and the development of it. To Frankenstein's horror, instead of creating a marvel of physical beauty and grace, there is unfolded before his eyes and before the audience an awful, ghastly, abhorrent monster.
As he realizes what he has done Frankenstein rushes from the room, only to have the misshapen monster peer at him through the curtains of his bed. He falls fainting to the floor, where he is found by his servant, who revives him.

After a few weeks' illness, he returns home, a broken, weary man, but under the loving care of father and sweetheart he regains his health and strength and begins to take a less morbid view of life. In other words, the story of the film brings out the fact that the creation of the monster was only possible because Frankenstein had allowed his normal mind to be overcome by evil and unnatural thoughts. His marriage is soon to take place. But one evening, while sitting in his library, he chances to glance in the mirror before him and sees the reflection of the monster which has just opened the door of his room. All the terror of the past comes over him and, fearing lest his sweetheart should learn the truth, he bids the monster conceal himself behind the curtain while he hurriedly induces his sweetheart, who then comes in, to stay only a moment. The monster, who is following his creator with the devotion of a dog, is insanely jealous of anyone else. He snatches from Frankenstein's coat the rose which his sweetheart has given him, and in the struggle throws Frankenstein to the floor, here the monster looks up and for the first time confronts his own reflection in the mirror. Appalled and horrified at his own image he flees in terror from the room. Not being able, however to live apart from his creator, he again comes to the house on the wedding night and, searching for the cause of his jealousy, goes into the bride's room. Frankenstein coming into the main room hears a shriek of terror, which is followed a moment after by his bride rushing in and falling in a faint at his feet. The monster then enters and after overpowering Frankenstein's feeble efforts by a slight exercise of his gigantic strength leaves the house.

When Frankenstein's love for his bride shall have attained full strength and freedom from impurity it will have such an effect upon his mind that the monster cannot exist. The monster, broken down by his unsuccessful attempts to be with his creator, enters the room, stands before a large mirror and holds out his arms entreatingly. Gradually, the real monster fades away, leaving only the image in the mirror. A moment later Frankenstein himself enters. As he stands directly before the mirror he see's the image of the monster reflected instead of his own. Gradually, however, under the effect of love and his better nature, the monster's image fades and Frankenstein sees himself in his young manhood in the mirror. His bride joins him, and the film ends with their embrace, Frankenstein's mind now being relieved of the awful horror and weight it has been laboring under for so long.

Saturday, May 1, 2010

My Old Kentucky Home by The Edison Concert Band (1909)

My old Kentucky Home VBR MP3 4.12 mb, My old Kentucky Home OGG format 2.22 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

"My Old Kentucky Home" originally titled "Poor Uncle Tom, Good Night!", and sometimes also titled "My Old Kentucky Home, Good-Night!" is the state song of Kentucky. It was published by Stephen Foster in 1853 and was adopted by the Kentucky General Assembly as the official state song on March 19, 1928.



Composition Licence: Published by Stephen Foster in 1853. This MP3 (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1924, in this case 1853, are now in the public domain.

My Old Kentucky HomeThis file is also in the public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris), in this caase Stephen Collins Foster July 4, 1826 – January 13, 1864, and that most commonly runs for a period of 50 to 70 years from December 31 of that year.

Performance Licence: This recording (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1924, in this case 1909 are now in the public domain.
This audio is part of the collection: Open Source Audio
Artist/Composer: Edison Concert Band
Keywords: My Old Kentucky Home; Edison Concert Band; 1909
Creative Commons license: Public Domain