Friday, November 27, 2009

Praise God, from Whom all blessings flow

Praise God, from Whom all blessings flow VBR MP3 1.58 mb, Praise God, from Whom all blessings flow OGG format 884 kb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

Praise God, from Whom all blessings flow. This hymn's first verse words were written in 1674 by Thomas Ken (July 1637 – 19 March 1711). The lyrics are the last stanza of a longer hymn, by Ken, "Awake, My Soul, and with the Sun." that was set to a different melody. A priest in the Church of England and later Bishop of Bath and Wells, he was imprisoned in the Tower of London for refusing to sign King James II's "Declaration of Indulgence," which was to restore Roman Catholicism in England, he was acquitted.



Isaac Watts credited with the 2d and 3d verses (17 July 1674 – 25 November 1748) recognised as the "Father of English Hymnody", credited with some 750 hymns. Many of which remain in active use today. Besides being a famous hymn-writer, Isaac Watts was also a renowned theologian and logician, writing many books and essays on these subjects.

Praise God, from Whom all blessings flowMusic: "Old 100th" from Fourscore and Seven Psalms of David (Geneva Switzerland: 1551); attributed to Louis Bourgeois (1510 - 1561) who was a follower of John Calvin. He edited the Geneva Psalter and was jailed for altering the melodies. The "Old 100th" got its name from association with lyrics called, "All People that on Earth Do Dwell" a reflection on Psalm 100.
Composition Licence: This MP3 (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1924 are now in the public domain.This file is also in the public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris in this case Thomas Ken July 1637 – 19 March 1711, Isaac Watts 17 July 1674 – 25 November 1748 and Louis Bourgeois 1510 - 1561), and that most commonly runs for a period of 50 to 70 years from December 31 of that year.

Performance Licence: I, (sookietex) the creator of this work, hereby release it into the public domain. This applies worldwide. In case this is not legally possible, I grant any entity the right to use this work for any purpose, without any conditions, unless such conditions are required by law.

If This file is subject to copyright in your jurisdiction, i (sookietex) the copyright holder have irrevocably released all rights to it, allowing it to be freely reproduced, distributed, transmitted, used, modified, built upon, or otherwise exploited in any way by anyone for any purpose, commercial or non-commercial, with or without attribution of the author, as if in the public domain.

Praise God from whom all bless-ings flow;
Praise Him all crea-tures here be-low;
Praise Him a-bove ye heav’n-ly host;
Praise Fa-ther, Son and Ho-ly Ghost.

Verse 2

From all that dwell be-low the skies;
Let the Cre-a-tor’s praise a-rise!
Let the Re-deem-er’s name be sung;
Through ev-‘ry land by ev-‘ry tongue.

Verse 3

E-ter-nal are Thy mer-cies Lord;
And Truth E-ter-nal is Thy Word;
Thy praise shall sound from shore to shore;
Till suns shall rise and set no more.

Verse 4

Praise God from whom all bless-ings flow;
Praise Him all crea-tures here be-low;
Praise Him a-bove ye heav’n-ly host;
Praise Fa-ther, Son and Ho-ly Ghost.


This audio is part of the collection: Open Source Audio
Artist/Composer: Sookietex
Keywords: Jesus; Christian; hymn; Gospel; Sacred; Inspirational
Creative Commons license: Public Domain

Saturday, November 21, 2009

Duck and Cover (1951)

Duck and Cover MPEG2 245 mb Duck and Cover MPEG4 55 mb. Duck and Cover 512Kb MPEG4 37 mb, Duck and Cover OGV format 36 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGV format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia. animated gif, 19 frames

Selected for the 2004 National Film Registry of "culturally, historically and aesthetically significant" motion pictures.

Famous Civil Defense film for children in which Bert the Turtle shows what to do in case of atomic attack.


You are warmly encouraged to download, use and reproduce these films in whole or in part, in any medium or market throughout the world. You are also warmly encouraged to share, exchange, redistribute, transfer and copy these films, and especially encouraged to do so for free.

Any derivative works that you produce using these films are yours to perform, publish, reproduce, sell, or distribute in any way you wish without any limitations.

This statement of rights describes the rights granted to you so that you can use films from the Prelinger collection.

Your right to use these films is granted by the Creative Commons Public Domain license.

This movie is part of the collection: Prelinger Archives
Producer: Archer Productions, Inc.
Sponsor: U.S. Federal Civil Defense Administration
Audio/Visual: Sd, B&W
Keywords: Atomic-nuclear: Civil defense; Animation
Creative Commons license: Public Domain

Sunday, November 15, 2009

I'll Be a Sunbeam Jesus Wants Me for a Sunbeam

I'll Be a Sunbeam VBR MP3 2.21 mb, I'll Be a Sunbeam OGG format 1.16 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

"I'll Be a Sunbeam" often called "Jesus Wants Me for a Sunbeam" is a popular children's Christian hymn composed by Ellen Winnifred [Nellie] Talbot (Oct 1871 - 31 Mar 1959); it is sung to music composed in 1900 by Ed­win Othello. Ex­cell (December 13, 1851 – June 10, 1921) who ded­i­cat­ed it to his grand­son, Ed­win O. Excell, Jr.



Excell, was a prominent American publisher, composer, song leader, and singer of music for church, Sunday school, and evangelistic meetings.

I'll Be a Sunbeam Jesus Wants Me for a SunbeamComposition Licence: This MP3 (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1924 are now in the public domain.
This file may however not be in the public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris in this case Ellen Winnifred "Nellie" Talbot Oct 1871 - 31 Mar 1959 and Ed­win Othello Ex­cell, December 13, 1851 – June 10, 1921), and that most commonly runs for a period of 50 to 70 years from December 31 of that year. If your use will be outside the United States please check your local law.

Performance Licence: I, (sookietex) the creator of this work, hereby release it into the public domain. This applies worldwide. In case this is not legally possible, I grant any entity the right to use this work for any purpose, without any conditions, unless such conditions are required by law.

If This file is subject to copyright in your jurisdiction, i (sookietex) the copyright holder have irrevocably released all rights to it, allowing it to be freely reproduced, distributed, transmitted, used, modified, built upon, or otherwise exploited in any way by anyone for any purpose, commercial or non-commercial, with or without attribution of the author, as if in the public domain.

1. Jesus wants me for a sunbeam,
To shine for Him each day;
In every way try to please Him,
At home, at school, at play.
* Refrain:
A sunbeam, a sunbeam,
Jesus wants me for a sunbeam;
A sunbeam, a sunbeam,
I’ll be a sunbeam for Him.

2. Jesus wants me to be loving,
And kind to all I see;
Showing how pleasant and happy,
His little one can be.

3. I will ask Jesus to help me
To keep my heart from sin;
Ever reflecting His goodness,
And always shine for Him.

4. I’ll be a sunbeam for Jesus,
I can if I but try;
Serving Him moment by moment,
Then live for Him on high.


This audio is part of the collection: Open Source Audio
Artist/Composer: Sookietex
Keywords: Jesus; Christian; hymn; Gospel; Sacred; Inspirational
Creative Commons license: Public Domain

Thursday, November 12, 2009

The Four Seasons Winter Antonio Vivaldi

The Four Seasons VBR MP3 3.02 mb, The Four Seasons OGG format 2.27 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

The Four Seasons is a set of four violin concertos by Antonio Lucio Vivaldi (March 4, 1678 – July 28, 1741). Composed in 1723, The Four Seasons is Vivaldi's best-known work, and is among the most popular pieces of Baroque music.



The concertos were first published in 1725 as part of a set of twelve concerti, Vivaldi's Op. 8, entitled Il cimento dell'armonia e dell'inventione

Performance Licence: The United States Air Force Band Web site is provided as a public service by the United States Air Force Band and Department of the Air Force.

Information presented on the United States Air Force Band site is considered public information and may be distributed or copied. Use of appropriate byline/photo/image credits is requested.

Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office.

Composition Licence: This MP3 (or other media file) is in the public domain because its copyright has expired.

This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1923 are now in the public domain.

This file is also in the public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris), in this case Antonio Lucio Vivaldi (March 4, 1678 – July 28, 1741), and that most commonly runs for a period of 50 to 70 years from December 31st of that year.

This audio is part of the collection: Open Source Audio
Artist/Composer: The United States Air Force Band
Keywords: The Four Seasons; Winter; Antonio Vivaldi
Creative Commons license: Public Domain

Monday, November 9, 2009

Address from the Brandenburg Gate Berlin Wall June 12, 1987 Ronald Wilson Reagan

Berlin Wall Ronald Reagan VBR MP3 237 kb, Berlin Wall Ronald Reagan OGG format 178 kb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

This work is in the public domain in the United States because it is a work of the United States Federal Government under the terms of Title 17, Chapter 1, Section 105 of the US Code. Source: University of Virginia Miller Center for Public Affairs

Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office.

Address from the Brandenburg Gate (Berlin Wall) (June 12, 1987) Ronald Wilson Reagan. In one of his most famous statements, Reagan declares "Mr. Gorbachev, tear down this wall!"



FULL TEXT TRANSCRIPT:

Ronald Reagan speaking in front of the Brandenburg Gate and the Berlin WallThank you very much. Chancellor Kohl, Governing Mayor Diepgen, ladies and gentlemen: Twenty four years ago, President John F. Kennedy visited Berlin, speaking to the people of this city and the world at the city hall.
Well, since then two other presidents have come, each in his turn, to Berlin. And today I, myself, make my second visit to your city.

We come to Berlin, we American Presidents, because it's our duty to speak, in this place, of freedom. But I must confess, we're drawn here by other things as well: by the feeling of history in this city, more than 500 years older than our own nation; by the beauty of the Grunewald and the Tiergarten; most of all, by your courage and determination. Perhaps the composer, Paul Lincke, understood something about American Presidents. You see, like so many Presidents before me, I come here today because wherever I go, whatever I do: "Ich hab noch einen koffer in Berlin." [I still have a suitcase in Berlin.]

Our gathering today is being broadcast throughout Western Europe and North America. I understand that it is being seen and heard as well in the East. To those listening throughout Eastern Europe, I extend my warmest greetings and the good will of the American people. To those listening in East Berlin, a special word: Although I cannot be with you, I address my remarks to you just as surely as to those standing here before me. For I join you, as I join your fellow countrymen in the West, in this firm, this unalterable belief: Es gibt nur ein Berlin. [There is only one Berlin.]

Behind me stands a wall that encircles the free sectors of this city, part of a vast system of barriers that divides the entire continent of Europe. From the Baltic, south, those barriers cut across Germany in a gash of barbed wire, concrete, dog runs, and guardtowers. Farther south, there may be no visible, no obvious wall. But there remain armed guards and checkpoints all the same—still a restriction on the right to travel, still an instrument to impose upon ordinary men and women the will of a totalitarian state. Yet it is here in Berlin where the wall emerges most clearly; here, cutting across your city, where the news photo and the television screen have imprinted this brutal division of a continent upon the mind of the world. Standing before the Brandenburg Gate, every man is a German, separated from his fellow men. Every man is a Berliner, forced to look upon a scar.

President von Weizsacker has said: "The German question is open as long as the Brandenburg Gate is closed." Today I say: As long as this gate is closed, as long as this scar of a wall is permitted to stand, it is not the German question alone that remains open, but the question of freedom for all mankind. Yet I do not come here to lament. For I find in Berlin a message of hope, even in the shadow of this wall, a message of triumph.

In this season of spring in 1945, the people of Berlin emerged from their air raid shelters to find devastation. Thousands of miles away, the people of the United States reached out to help. And in 1947 Secretary of State—as you've been told—George Marshall announced the creation of what would become known as the Marshall Plan. Speaking precisely 40 years ago this month, he said: "Our policy is directed not against any country or doctrine, but against hunger, poverty, desperation, and chaos."

In the Reichstag a few moments ago, I saw a display commemorating this 40th anniversary of the Marshall plan. I was struck by the sign on a burnt-out, gutted structure that was being rebuilt. I understand that Berliners of my own generation can remember seeing signs like it dotted throughout the Western sectors of the city. The sign read simply: "The Marshall plan is helping here to strengthen the free world." A strong, free world in the West, that dream became real. Japan rose from ruin to become an economic giant. Italy , France , Belgium—virtually every nation in Western Europe saw political and economic rebirth; the European Community was founded.

In West Germany and here in Berlin, there took place an economic miracle, the Wirtschaftswunder. Adenauer, Erhard, Reuter, and other leaders understood the practical importance of liberty—that just as truth can flourish only when the journalist is given freedom of speech, so prosperity can come about only when the farmer and businessman enjoy economic freedom. The German leaders reduced tariffs, expanded free trade, lowered taxes. From 1950 to 1960 alone, the standard of living in West Germany and Berlin doubled.

Where four decades ago there was rubble, today in West Berlin there is the greatest industrial output of any city in Germany—busy office blocks, fine homes and apartments, proud avenues, and the spreading lawns of park land. Where a city's culture seemed to have been destroyed, today there are two great universities, orchestras and an opera, countless theaters, and museums. Where there was want, today there's abundance—food, clothing, automobiles—the wonderful goods of the Ku'damm. From devastation, from utter ruin, you Berliners have, in freedom, rebuilt a city that once again ranks as one of the greatest on Earth. The Soviets may have had other plans. But, my friends, there were a few things the Soviets didn't count on Berliner herz, Berliner humor, ja, und Berliner schnauze. [Berliner heart, Berliner humor, yes, and a Berliner schnauze.] [Laughter]

In the 1950's, Khrushchev predicted: "We will bury you." But in the West today, we see a free world that has achieved a level of prosperity and well-being unprecedented in all human history. In the Communist world, we see failure, technological backwardness, declining standards of health, even want of the most basic kind—too little food. Even today, the Soviet Union still cannot feed itself. After these four decades, then, there stands before the entire world one great and inescapable conclusion: Freedom leads to prosperity. Freedom replaces the ancient hatreds among the nations with comity and peace. Freedom is the victor.

And now the Soviets themselves may, in a limited way, be coming to understand the importance of freedom. We hear much from Moscow about a new policy of reform and openness. Some political prisoners have been released. Certain foreign news broadcasts are no longer being jammed. Some economic enterprises have been permitted to operate with greater freedom from state control. Are these the beginnings of profound changes in the Soviet state? Or are they token gestures, intended to raise false hopes in the West, or to strengthen the Soviet system without changing it? We welcome change and openness; for we believe that freedom and security go together, that the advance of human liberty can only strengthen the cause of world peace.

There is one sign the Soviets can make that would be unmistakable, that would advance dramatically the cause of freedom and peace. General Secretary Gorbachev, if you seek peace, if you seek prosperity for the Soviet Union and Eastern Europe, if you seek liberalization: Come here to this gate! Mr. Gorbachev, open this gate! Mr. Gorbachev, tear down this wall!

I understand the fear of war and the pain of division that afflict this continent—and I pledge to you my country's efforts to help overcome these burdens. To be sure, we in the West must resist Soviet expansion. So we must maintain defenses of unassailable strength. Yet we seek peace; so we must strive to reduce arms on both sides. Beginning 10 years ago, the Soviets challenged the Western alliance with a grave new threat, hundreds of new and more deadly SS-20 nuclear missiles, capable of striking every capital in Europe. The Western alliance responded by committing itself to a counterdeployment unless the Soviets agreed to negotiate a better solution; namely, the elimination of such weapons on both sides. For many months, the Soviets refused to bargain in earnestness. As the alliance, in turn, prepared to go forward with its counterdeployment, there were difficult days—days of protests like those during my 1982 visit to this city—and the Soviets later walked away from the table.

But through it all, the alliance held firm. And I invite those who protested then—I invite those who protest today—to mark this fact: Because we remained strong, the Soviets came back to the table. And because we remained strong, today we have within reach the possibility, not merely of limiting the growth of arms, but of eliminating, for the first time, an entire class of nuclear weapons from the face of the Earth. As I speak, NATO ministers are meeting in Iceland to review the progress of our proposals for eliminating these weapons. At the talks in Geneva, we have also proposed deep cuts in strategic offensive weapons. And the Western allies have likewise made far-reaching proposals to reduce the danger of conventional war and to place a total ban on chemical weapons.

While we pursue these arms reductions, I pledge to you that we will maintain the capacity to deter Soviet aggression at any level at which it might occur. And in cooperation with many of our allies, the United States is pursuing the Strategic Defense Initiative—research to base deterrence not on the threat of offensive retaliation, but on defenses that truly defend; on systems, in short, that will not target populations, but shield them. By these means we seek to increase the safety of Europe and all the world. But we must remember a crucial fact: East and West do not mistrust each other because we are armed; we are armed because we mistrust each other. And our differences are not about weapons but about liberty. When President Kennedy spoke at the City Hall those 24 years ago, freedom was encircled, Berlin was under siege. And today, despite all the pressures upon this city, Berlin stands secure in its liberty. And freedom itself is transforming the globe.

In the Philippines, in South and Central America, democracy has been given a rebirth. Throughout the Pacific, free markets are working miracle after miracle of economic growth. In the industrialized nations, a technological revolution is taking place—a revolution marked by rapid, dramatic advances in computers and telecommunications.

In Europe, only one nation and those it controls refuse to join the community of freedom. Yet in this age of redoubled economic growth, of information and innovation, the Soviet Union faces a choice: It must make fundamental changes, or it will become obsolete. Today thus represents a moment of hope. We in the West stand ready to cooperate with the East to promote true openness, to break down barriers that separate people, to create a safer, freer world.

And surely there is no better place than Berlin, the meeting place of East and West, to make a start. Free people of Berlin: Today, as in the past, the United States stands for the strict observance and full implementation of all parts of the Four Power Agreement of 1971. Let us use this occasion, the 750th anniversary of this city, to usher in a new era, to seek a still fuller, richer life for the Berlin of the future. Together, let us maintain and develop the ties between the Federal Republic and the Western sectors of Berlin, which is permitted by the 1971 agreement.

And I invite Mr. Gorbachev: Let us work to bring the Eastern and Western parts of the city closer together, so that all the inhabitants of all Berlin can enjoy the benefits that come with life in one of the great cities of the world. To open Berlin still further to all Europe, East and West, let us expand the vital air access to this city, finding ways of making commercial air service to Berlin more convenient, more comfortable, and more economical. We look to the day when West Berlin can become one of the chief aviation hubs in all central Europe.

With our French and British partners, the United States is prepared to help bring international meetings to Berlin. It would be only fitting for Berlin to serve as the site of United Nations meetings, or world conferences on human rights and arms control or other issues that call for international cooperation. There is no better way to establish hope for the future than to enlighten young minds, and we would be honored to sponsor summer youth exchanges, cultural events, and other programs for young Berliners from the East. Our French and British friends, I'm certain, will do the same. And it's my hope that an authority can be found in East Berlin to sponsor visits from young people of the Western sectors.

One final proposal, one close to my heart: Sport represents a source of enjoyment and ennoblement, and you many have noted that the Republic of Korea—South Korea—has offered to permit certain events of the 1988 Olympics to take place in the North. International sports competitions of all kinds could take place in both parts of this city. And what better way to demonstrate to the world the openness of this city than to offer in some future year to hold the Olympic games here in Berlin, East and West?

In these four decades, as I have said, you Berliners have built a great city. You've done so in spite of threats—the Soviet attempts to impose the East-mark, the blockade. Today the city thrives in spite of the challenges implicit in the very presence of this wall. What keeps you here? Certainly there's a great deal to be said for your fortitude, for your defiant courage. But I believe there's something deeper, something that involves Berlin's whole look and feel and way of life—not mere sentiment. No one could live long in Berlin without being completely disabused of illusions. Something instead, that has seen the difficulties of life in Berlin but chose to accept them, that continues to build this good and proud city in contrast to a surrounding totalitarian presence that refuses to release human energies or aspirations. Something that speaks with a powerful voice of affirmation, that says yes to this city, yes to the future, yes to freedom. In a word, I would submit that what keeps you in Berlin is love—love both profound and abiding.

Perhaps this gets to the root of the matter, to the most fundamental distinction of all between East and West. The totalitarian world produces backwardness because it does such violence to the spirit, thwarting the human impulse to create, to enjoy, to worship. The totalitarian world finds even symbols of love and of worship an affront. Years ago, before the East Germans began rebuilding their churches, they erected a secular structure: the television tower at Alexander Platz. Virtually ever since, the authorities have been working to correct what they view as the tower's one major flaw, treating the glass sphere at the top with paints and chemicals of every kind. Yet even today when the Sun strikes that sphere—that sphere that towers over all Berlin—the light makes the sign of the cross. There in Berlin, like the city itself, symbols of love, symbols of worship, cannot be suppressed.

As I looked out a moment ago from the Reichstag, that embodiment of German unity, I noticed words crudely spray-painted upon the wall, perhaps by a young Berliner, "This wall will fall. Beliefs become reality." Yes, across Europe, this wall will fall. For it cannot withstand faith; it cannot withstand truth. The wall cannot withstand freedom.

And I would like, before I close, to say one word. I have read, and I have been questioned since I've been here about certain demonstrations against my coming. And I would like to say just one thing, and to those who demonstrate so. I wonder if they have ever asked themselves that if they should have the kind of government they apparently seek, no one would ever be able to do what they're doing again.

Thank you and God bless you all.

Saturday, November 7, 2009

Moon And Clouds (Wide Screen 16:9)

Moon And Clouds MPEG2 31 MB Moon And Clouds 512 MPEG4 3.91 mb. Moon And Clouds OGV format 3.85 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGV format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia. . animated gif, 13 frames

Harvest Moon And Clouds (Wide Screen 16:9) (2007)

This movie is part of the collection: Stock Footage
Producer: C. E. Price
Audio/Visual: silent, color
Keywords: stock footage; wide screen 16:9, autumn; moon; harvest moon; night; clouds
Creative Commons license: Public Domain

Tuesday, November 3, 2009

Bugle calls Mess Call

Mess Call VBR MP3 237 kb, Mess Call OGG format 178 kb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office.



The USAF Heritage of America Band's Web site is provided as a public service by Air Combat Command and the Department of the Air Force.

Information presented on this site is considered public information and may be distributed or copied. Use of appropriate byline/photo/image credits is requested.

Bugle calls tell troops when to go to bed, when to wake up, when to eat, when to attack and when to retreat. There are stable calls, water calls, drill calls, sick calls and church calls on Sunday.

This audio is part of the collection: Open Source Audio
Artist/Composer: USAF Heritage of America Band
Keywords: Bugle calls; Mess Call
Creative Commons license: Public Domain

Sunday, November 1, 2009

At the Cross

At the Cross VBR MP3 4.00 mb, At the Cross OGG format 2.14 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

Composer, Ralph Erskine Hudson Born: Ju­ly 12, 1843, Na­po­le­on, Ohio. Died: June 14, 1901, Cleve­land, Ohio, Lyrics, Isaac Watts Born; July 17 1674, Died November 25, 1748, Published music 1885, lyrics 1707.

Ralph Erskine Hudson Born: Ju­ly 12, 1843, Na­po­le­on, Ohio. Died: June 14, 1901, Cleve­land, Ohio. He is best known as a hymn writ­er and mu­sic pub­lish­er, evan­gel­ism and tem­per­ance work. He was a lay preach­er and mem­ber of the Mt. Un­ion Ohio Meth­od­ist Epis­co­pal Church.



Isaac Watts (17 July 1674 – 25 November 1748) recognised as the "Father of English Hymnody", credited with some 750 hymns. Many of which remain in active use today. Besides being a famous hymn-writer, Isaac Watts was also a renowned theologian and logician, writing many books and essays on these subjects.

At the CrossComposition Licence: This MP3 (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1924 are now in the public domain.
This file is also in the public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris in this case Ralph Erskine Hudson, June 14, 1901 and Isaac Watts , November 25, 1748), and that most commonly runs for a period of 50 to 70 years from December 31 of that year.

Performance Licence: I, (sookietex) the creator of this work, hereby release it into the public domain. This applies worldwide. In case this is not legally possible, I grant any entity the right to use this work for any purpose, without any conditions, unless such conditions are required by law.

If This file is subject to copyright in your jurisdiction, i (sookietex) the copyright holder have irrevocably released all rights to it, allowing it to be freely reproduced, distributed, transmitted, used, modified, built upon, or otherwise exploited in any way by anyone for any purpose, commercial or non-commercial, with or without attribution of the author, as if in the public domain.

Alas, and did my Saviour bleed?
And did my Sov'reign die?
Would He devote that sacred head
For such a worm as I?

Refrain:
At the cross, at the cross where I first saw the light,
And the burden of my heart rolled away,
It was there by faith I received my sight,
And now I am happy all the day!

Was it for crimes that I have done,
He groaned upon the tree?
Amazing pity! grace unknown!
And love beyond degree!

Well might the sun in darkness hide,
And shut his glories in,
When Christ, the mighty Maker, died
For man, the creature's sin.

But drops of grief can ne'er repay
The debt of love I owe;
Here, Lord, I give myself away—
'Tis all that I can do!

This audio is part of the collection: Open Source Audio
Artist/Composer: Sookietex
Keywords: Sacred; Inspirational; Christian; hymn; gospel; At the Cross
Creative Commons license: Public Domain