Thursday, February 19, 2009

Taps Bugle Call AUDIO

Taps Bugle Call 64Kbps MP3 488 kb, Taps Bugle Call VBR MP3 977 kb, Taps Bugle Call OGG format 650 kb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

Taps signals that unauthorized lights are to be extinguished. This is the last call of the day. The call is also sounded at the completion of a military funeral ceremony.

Composition Licence: This Image (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1923, in this case 1862, are now in the public domain and also in countries that figure copyright from the date of death of the artist (post mortem auctoris) in this case Daniel Adams Butterfield (October 31, 1831 – July 17, 1901) and that most commonly run for a period of 50 to 70 years from December 31 of that tear.

Performance Licence: U.S. Army Bands Online (ABO) is provided as a public service by the Chief of Army Bands.

Unless specified otherwise, information presented on ABO is considered public information and may be distributed or copied. Use of appropriate byline/photo/image credits is requested.

This file is a work of a Soldier or employee of the United States Army, taken or made during the course of the person's official duties. As a work of the U.S. federal government, the file is in the public domain

Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office.

Taps Bugle Call


Of all the military bugle calls, none is so easily recognized or more apt to render emotion than Taps. Up to the Civil War, the traditional call at day's end was a tune, borrowed from the French, called Lights Out. In July of 1862, in the aftermath of the bloody Seven Days battles, hard on the loss of 600 men and wounded himself, Union General Daniel Adams Butterfield called the brigade bugler to his tent. He thought "Lights Out" was too formal and he wished to honor his men. Oliver Wilcox Norton, the bugler, tells the story, "...showing me some notes on a staff written in pencil on the back of an envelope, (he) asked me to sound them on my bugle.

I did this several times, playing the music as written. He changed it somewhat, lengthening some notes and shortening others, but retaining the melody as he first gave it to me. After getting it to his satisfaction, he directed me to sound that call for Taps thereafter in place of the regulation call. The music was beautiful on that still summer night and was heard far beyond the limits of our Brigade. The next day I was visited by several buglers from neighboring Brigades, asking for copies of the music which I gladly furnished. The call was gradually taken up through the Army of the Potomac."

This more emotive and powerful Taps was soon adopted throughout the military. In 1874 It was officially recognized by the U.S. Army. It became standard at military funeral ceremonies in 1891. There is something singularly beautiful and appropriate in the music of this wonderful call. Its strains are melancholy, yet full of rest and peace. Its echoes linger in the heart long after its tones have ceased to vibrate in the air.

- from an article by Master Sergeant Jari A Villanueva, USAF.


Author: U.S. Army Bands
Keywords: Taps; Bugle Call; U.S. Army Bands; military funeral ceremony
Creative Commons license: Public Domain

Tuesday, February 17, 2009

Amazing Grace Bagpipes AUDIO

Amazing Grace 64Kbps MP3 468 kb, Amazing Grace VBR MP3 1.6 mb, Amazing Grace OGG format 816 kb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

Performance License: The Air Force Bands Program is a family of 12 active duty Air Force bands and 11 Air National Guard bands featuring our nation's finest professional musicians. Each band operates within its own geographic area of responsibility representing America's Airmen to a global audience.



Overview: Air Force Link is provided as a public service by the Office of the Secretary of Air Force (Public Affairs).

Information presented on Air Force Link is considered public information and may be distributed or copied. Use of appropriate byline/photo/image credits is requested.

Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office.

Melody License: "Amazing Grace" is a well-known Christian hymn by Englishman John Newton and first appeared in print in Newton's Olney Hymns (1779).

Tune License: "New Britain" first appears in a shape note hymnal from 1829 called Columbian Harmony. The melody is believed to be Scottish or Irish in origin of which the composer is unknown.

This Composition is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office. Works published before 1923 are now in the public domain.

Author: Air Force Bands Program.
Keywords: Amazing Grace; Bagpipes.
Creative Commons license: Public Domain.

Sunday, February 15, 2009

Eisenhower Campaign Commercial, 1952 Presidential Campaign VIDEO

VIDEO: 1:01 minutes Eisenhower Campaign Commercial Eisenhower Campaign Commercial in Cinepack (AVI) format 4.0 mb Eisenhower Campaign Commercial 4.5 mb MPEG4 5 mb. Eisenhower Campaign Commercial HiRes MPEG4 20 mb Eisenhower Campaign Commercial OGV format 4.5 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGV format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

Contents: "I Like Ike" animated commercial, produced by Roy Disney and Citizens for Eisenhower-Nixon during the 1952 presidential campaign; Man walking dog; veterans speak; woman speaks; part-animated spot; others.


You are warmly encouraged to download, use and reproduce these films in whole or in part, in any medium or market throughout the world. You are also warmly encouraged to share, exchange, redistribute, transfer and copy these films, and especially encouraged to do so for free.

Any derivative works that you produce using these films are yours to perform, publish, reproduce, sell, or distribute in any way you wish without any limitations.

This statement of rights describes the rights granted to you so that you can use films from the online Prelinger collection at the Internet Archive.

Your right to use these films is granted by the Creative Commons Public Domain license.

Friday, February 13, 2009

Big Ben tower clock of Westminster - striking AUDIO

Big Ben 64Kbps MP3 1.1 mb, Big Ben VBR MP3 1.6 mb, Big Ben OGG format 865 kb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

Big Ben clock tower of Westminster - striking half past 10, quarter to 11, and 11 o'clock. Recording date: July 16, 1890. Location: Westminster, London, England. Recorded by: Miss Ferguson and Graham Hope, (for George Gouraud). Record format: Edison brown wax cylinder (unissued). NPS object catalog number: EDIS 39839.



Ownership: Information presented on this website (Edison National Historic Site National Park Service), unless otherwise indicated , is considered in the public domain. It may may be distributed or copied as is permitted by the law.

Author: Edison National Historic Site, Keywords: Big Ben; tower clock; Edison wax cylinder; London England, Creative Commons license: Public Domain

Thursday, February 12, 2009

Abraham Lincoln's Gettysburg Address AUDIO

Gettysburg Address 64Kbps MP3 878 kb, Gettysburg Address M3U stream, Gettysburg Address OGG format 1.8 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

The Gettysburg Address, Delivered at Gettysburg on November 19, 1863



Four score and seven years ago our fathers brought forth, upon this continent, a new nation, conceived in liberty, and dedicated to the proposition that "all men are created equal"

Now we are engaged in a great civil war, testing whether that nation, or any nation so conceived, and so dedicated, can long endure. We are met on a great battle field of that war. We have come to dedicate a portion of it, as a final resting place for those who died here, that the nation might live. This we may, in all propriety do. But, in a larger sense, we can not dedicate -- we can not consecrate -- we can not hallow, this ground-- The brave men, living and dead, who struggled here, have hallowed it, far above our poor power to add or detract. The world will little note, nor long remember what we say here; while it can never forget what they did here.

It is rather for us, the living, we here be dedicated to the great task remaining before us -- that, from these honored dead we take increased devotion to that cause for which they here, gave the last full measure of devotion -- that we here highly resolve these dead shall not have died in vain; that the nation, shall have a new birth of freedom, and that government of the people by the people for the people, shall not perish from the earth.

Recorded by Britton Rea at Enfaze Studios in Lodi, Wisconsin. Attribution politely requested, but not required. User:SweetNeo85, uploaded; Britton Rea, recorded.

I, (Britton Rea) the copyright holder of this work, hereby release it into the public domain. This applies worldwide.

In case this is not legally possible: I (Britton Rea) grant anyone the right to use this work for any purpose, without any conditions, unless such conditions are required by law.

Author: Abraham Lincoln / Britton Rea, Keywords: Gettysburg Address; Abraham Lincoln, Creative Commons license: Public Domain

Tuesday, February 10, 2009

F-22 RAPTOR VIDEO

VIDEO: 1:09 minutes F-22 RAPTOR F-22 RAPTOR in Cinepack (AVI) format 5 mb F-22 RAPTOR 512Kb MPEG4 5 mb. F-22 RAPTOR OGV format 4.6 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGV format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

Air Force Link is provided as a public service by the Office of the Secretary of Air Force (Public Affairs).

Information presented on Air Force Link is considered public information and may be distributed or copied. Use of appropriate byline/photo/image credits is requested.

Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office.


Mission: The F-22 Raptor is the Air Force's newest fighter aircraft. Its combination of stealth, supercruise, maneuverability, and integrated avionics, coupled with improved supportability, represents an exponential leap in warfighting capabilities. The Raptor performs both air-to-air and air-to-ground missions allowing full realization of operational concepts vital to the 21st century Air Force.

The F-22A , a critical component of the Global Strike Task Force, is designed to project air dominance, rapidly and at great distances and defeat threats attempting to deny access to our nation's Air Force, Army, Navy and Marine Corps. The F-22A cannot be matched by any known or projected fighter aircraft.

Features: A combination of sensor capability, integrated avionics, situational awareness, and weapons provides first-kill opportunity against threats. The F-22A possesses a sophisticated sensor suite allowing the pilot to track, identify, shoot and kill air-to-air threats before being detected. Significant advances in cockpit design and sensor fusion improve the pilot's situational awareness. In the air-to-air configuration the Raptor carries six AIM-120 AMRAAMs and two AIM-9 Sidewinders.

The F-22A has a significant capability to attack surface targets. In the air-to-ground configuration the aircraft can carry two 1,000-pound GBU-32 Joint Direct Attack Munitions internally and will use on-board avionics for navigation and weapons delivery support. In the future air-to-ground capability will be enhanced with the addition of an upgraded radar and up to eight small diameter bombs. The Raptor will also carry two AIM-120s and two AIM-9s in the air-to-ground configuration.

Advances in low-observable technologies provide significantly improved survivability and lethality against air-to-air and surface-to-air threats. The F-22A brings stealth into the day, enabling it not only to protect itself but other assets.

The F-22A engines produce more thrust than any current fighter engine. The combination of sleek aerodynamic design and increased thrust allows the F-22A to cruise at supersonic airspeeds (greater than 1.5 Mach) without using afterburner -- a characteristic known as supercruise. Supercruise greatly expands the F-22A 's operating envelope in both speed and range over current fighters, which must use fuel-consuming afterburner to operate at supersonic speeds.

The sophisticated F-22A aerodesign, advanced flight controls, thrust vectoring, and high thrust-to-weight ratio provide the capability to outmaneuver all current and projected aircraft. The F-22A design has been extensively tested and refined aerodynamically during the development process.

The F-22A's characteristics provide a synergistic effect ensuring F-22A lethality against all advanced air threats. The combination of stealth, integrated avionics and supercruise drastically shrinks surface-to-air missile engagement envelopes and minimizes enemy capabilities to track and engage the F-22A . The combination of reduced observability and supercruise accentuates the advantage of surprise in a tactical environment.

The F-22A will have better reliability and maintainability than any fighter aircraft in history. Increased F-22A reliability and maintainability pays off in less manpower required to fix the aircraft and the ability to operate more efficiently.

Producer: U.S. Air Force. Keywords: F-22; Raptor; Air Force; fighter aircraft. Creative Commons license: Public Domain

Sunday, February 8, 2009

Polar Bear and cubs Ursus maritimus

Title: Polar Bear and cubs, Alternative Title: Ursus maritimus, Contact: nctcimages@fws.gov

Polar Bear and cubs in wmv format 821 kb Polar Bear and cubs MP4 format 1.4 mb. Polar Bear and cubs OGV format 1.2 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGV format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

Description: Polar bear sow and two cubs walk slowly along a strip of land with water on either side of them. Subject: Mammals, Wildlife. Location: Alaska. Publisher: U.S. Fish and Wildlife Service. Contributors: EXternal Affairs, Alaska, U.S. Fish and Wildlife Service.


Type: Video. Format: WMV. Source: NCTC Image Library. Language: English. Rights: Public Domain. Audience: General. File Size: 800 KB. Original Format: Betacam SP; Length: 0:21.

Disclaimer Information presented on this website (U.S. Department of the Interior, U.S. Fish and Wildlife Service) is considered public information and may be distributed or copied. Use of appropriate byline/photo/image credit is requested.

Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office.

Producer: U.S. Fish and Wildlife Service. Keywords: Polar Bear; cubs; Ursus maritimus. Creative Commons license: Public Domain.

Friday, February 6, 2009

Swing low, sweet chariot AUDIO

Negro Spiritual, Performed by: The Southern Four, Record format: Edison Diamond Disc
Matrix number: 8311-C-2-6, Recording date: December 07, 1921, Release number: 51364-R Release date: August 1924, NPS object catalog number: EDIS 42717.

Swing low, sweet chariot 64Kbps MP3 2.0 mb, Swing low, sweet chariot VBR MP3 3.0 mb, Swing low, sweet chariot OGG format 2.1 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.



Disclaimer: This website and the information it contains are provided as a public service by the National Park Service (NPS), U.S. Department of the Interior.

Ownership: Information presented on this website, unless otherwise indicated , is considered in the public domain. It may may be distributed or copied as is permitted by the law.

The archive at Edison National Historic Site includes approximately 48,000 disc and cylinder records produced by Edison in West Orange, New Jersey, between 1888 and 1929. Many of these, including unreleased and experimental recordings, have been at the Laboratory since Edison's lifetime. Some of the earliest examples of recorded sound in existence are preserved within this unique collection.

Author: National Park Service.
Keywords: sweet chariot; Negro Spiritual; Edison; The Southern Four.
Creative Commons license: Public Domain.

Wednesday, February 4, 2009

Winter Snow Street Traffic VIDEO

38 seconds of winter street traffic. Broadway and 77th street, New York City. Snow, taxis and trucks seen and heard from above. January 3, 2008.

Winter Snow Street Traffic in Cinepack format 73 mb Winter Snow Street Traffic MP4 format 2.7 mb. Winter Snow Street Traffic OGV format 2.8 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGV format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.


File License: I, (sookietex) the creator of this work, hereby release it into the public domain. This applies worldwide. In case this is not legally possible, I grant any entity the right to use this work for any purpose, without any conditions, unless such conditions are required by law.

If This file is subject to copyright in your jurisdiction, i (sookietex) the copyright holder have irrevocably released all rights to it, allowing it to be freely reproduced, distributed, transmitted, used, modified, built upon, or otherwise exploited in any way by anyone for any purpose, commercial or non-commercial, with or without attribution of the author, as if in the public domain.

Producer: Sookietex - Public Domain Audio Video
Keywords: Winter; Street Traffic; Snow; taxis; trucks; New York City

Monday, February 2, 2009

The Star Spangled Banner Instrumental

The lyrics come from a poem written in 1814 by Francis Scott Key (August 1, 1779–January 11, 1843), the tune is a popular British drinking song, written by John Stafford Smith (March 30, 1750 – September 21, 1836) for the Anacreontic Society, a London social club. "The Anacreontic Song". Smith wrote the tune in the mid-1760s, while still a teenager. It was first published by Longman & Broderip in London in 1778/1779.

Star Spangled Banner 64Kbps MP3 620 kb, Star Spangled Banner VBR MP3 930 kb, Star Spangled Banner OGG format 887 kb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.



"The Star Spangled Banner", was ordered played at military and naval occasions by President Woodrow Wilson in 1916, but was not designated the national anthem by an Act of Congress until 1931.

U.S. Army Bands Online (ABO) is provided as a public service by the Chief of Army Bands.

Unless specified otherwise, information presented on ABO is considered public information and may be distributed or copied. Use of appropriate byline/photo/image credits is requested.

This media file is a work of a U.S. Department of Defense employee, made during the course of the person's official duties. As a work of the U.S. federal government, the media file is in the public domain.

Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office.

This Composition is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office. Works published before 1923 are now in the public domain.

This composition is also in the public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris) in this case Francis Scott Key (August 1, 1779–January 11, 1843) and John Stafford Smith (March 30, 1750 – September 21, 1836), and that most commonly runs for a period of 50 to 70 years from December 31 of that date.

The National Anthem consists of four verses. On almost every occasion only the first verse is sung.

Oh, say can you see by the dawn's early light
What so proudly we hailed at the twilight's last gleaming?
Whose broad stripes and bright stars thru the perilous fight,
O'er the ramparts we watched were so gallantly streaming?
And the rockets' red glare, the bombs bursting in air,
Gave proof through the night that our flag was still there.
Oh, say does that star-spangled banner yet wave
O'er the land of the free and the home of the brave?

On the shore, dimly seen through the mists of the deep,
Where the foe's haughty host in dread silence reposes,
What is that which the breeze, o'er the towering steep,
As it fitfully blows, half conceals, half discloses?
Now it catches the gleam of the morning's first beam,
In full glory reflected now shines in the stream:
'Tis the star-spangled banner! Oh long may it wave
O'er the land of the free and the home of the brave.

And where is that band who so vauntingly swore
That the havoc of war and the battle's confusion,
A home and a country should leave us no more!
Their blood has washed out of of their foul footsteps' pollution.
No refuge could save the hireling and slave'
From the terror of flight and the gloom of the grave:
And the star-spangled banner in triumph doth wave
O'er the land of the free and the home of the brave.

Oh! thus be it ever, when freemen shall stand
Between their loved home and the war's desolation!
Blest with victory and peace, may the heav'n rescued land
Praise the Power that hath made and preserved us a nation.
Then conquer we must, when our cause it is just,
And this be our motto: "In God is our trust."
And the star-spangled banner in triumph shall wave
O'er the land of the free and the home of the brave.

Keywords: Star Spangled Banner; Instrumental; national anthem; U.S. Army Bands

Saturday, January 31, 2009

Wreck on the Old 97 AUDIO

Title: The wreck on the southern Old 97. Performer: Vernon Dalhart. Issue Number/Label: 4898: Edison Blue Amberol. Year of Release: [1924]. Audio: Stream cylinder 6357.

Wreck on the Old 97 64Kbps MP3 1.9 mb, Wreck on the Old 97 VBR MP3 3.7 mb, Wreck on the Old 97 OGG format 2.4 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.



Note: Year of release from "Edison Blue Amberol Recordings" by R. Dethlefson, v.2 (1981). Note: Edison Blue Amberol: 4898. Note: Tenor and chorus with harmonica and guitar accompaniment by Frank Ferera.

Composer/Performer: Whitter, Henry, d. 1941. Composer/Performer: Ferera, Frank, 1885-1951. Composer/Performer: Dalhart, Vernon, 1883-1948. Subject: Popular music--1921-1930. Subject: Old-time music. Subject: Transportation--Songs and music. Item Location: Special Coll., Performing Arts - Cylinder 6357

The raw transfers created by the University of California are in the public domain. Users of this website are free to use these raw transfers as they see fit, not limited to redistribution to others, including distribution over peer-to-peer file-sharing networks; reissue, mashups, mixes for commercial or non-commercial purposes; or other uses that could be imagined.

Keywords: Old 97; Old-time music; Edison; harmonica; guitar.

Thursday, January 29, 2009

Shorebirds Seagulls AUDIO

Shorebirds Seagulls :12 seconds The following sound clip is public domain and may be used without prior permission. If possible, please credit the U.S. Fish and Wildlife Service.

Shorebirds Seagulls 64Kbps MP3 101 kb, Shorebirds Seagulls VBR MP3 200 kb, Shorebirds Seagulls OGG format 122 kb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

Author: U.S. Fish and Wildlife Service, Keywords: Shorebirds; Seagulls, Creative Commons license: Public Domain


Tuesday, January 27, 2009

Air Force One VC-25 VIDEO

The mission of the VC-25 aircraft, Air Force One, is to provide transport for the President of the United States.

Air Force One in 512Kb MPEG4 format 5.2 mb Air Force One Windows Media 3.3 mb. Air Force One OGV format 4.6 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGV format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

The Presidential air transport fleet consists of two specially configured Boeing 747-200B's

Air Force Link is provided as a public service by the Office of the Secretary of Air Force (Public Affairs).

Information presented on Air Force Link is considered public information and may be distributed or copied. Use of appropriate byline/photo/image credits is requested.

Producer: United States Air Force

Keywords: Air Force One; President of the United States; potus

Creative Commons license: Public Domain

Saturday, January 24, 2009

Frogs Sounds Vocalizations AUDIO

Frogs :29 seconds The following sound clip is public domain and may be used without prior permission. If possible, please credit the U.S. Fish and Wildlife Service.

Frogs 64Kbps MP3 239 kb, Frogs VBR MP3 478 kb, Frogs OGG format 375 kb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

Thursday, January 22, 2009

America the Beautiful instrumental and vocal AUDIO

America the Beautiful 64Kbps MP3 1.7 mb, America the Beautiful VBR MP3 2.6 mb, America the Beautiful OGG format 2.4 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia. RELATED: America the Beautiful Instrumental

America the beautiful / Samuel Ward [sound recording], Title: America the beautiful [sound recording] instrumental and vocal, Composer: Ward, Samuel. Arranger(s) Dragon, Carmen. Performing Ensemble: United States Navy Band. Lyricist: Bates, Katharine Lee. Publisher(s): Department of Defense. Form: sound recording.

Note(s): Taken from CD entitled: "Remembering the Navy Hour." Featuring the Navy Band and Sea Chanters. Recorded by Sheffield Recording, Ltd., Inc. at the George Mason University Center for the Arts Concert Hall. Credit: Performing Arts Encyclopedia, Library of Congress.

America the Beautiful sheet musicThis Composition is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office. Works published before 1923 are now in the public domain.

This composition is also in the public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris) in this case Katharine Lee Bates (words), (August 12, 1859 – March 28, 1929), Samuel Augustus Ward (tune) (28 December 1847 – 28 September 1903), and that most commonly runs for a period of 50 to 70 years from December 31 of that date.
This media file is a work of a U.S. Department of Defense employee, made during the course of the person's official duties. As a work of the U.S. federal government, the media file is in the public domain. Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office.

Keywords: America the Beautiful

Tuesday, January 20, 2009

Killer Whale (Orcinus orca) Sounds Vocalizations AUDIO

Killer Whales Songs 64Kbps MP3 239 kb, Killer Whales Songs VBR MP3 238 kb, Killers Whales Songs OGG format 245 kb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

Killer Whales Songs 2 64Kbps MP3 682 kb, Killer Whales Songs 2 VBR MP3 681 kb, Killer Whales Songs 2 OGG format 707 kb



Ownership: Information presented on this website (National Park Service (NPS), U.S. Department of the Interior), unless otherwise indicated , is considered in the public domain. It may may be distributed or copied as is permitted by the law. Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office.

The recordings available here were made by the National Park Service, using a hydrophone that is anchored near the mouth of Glacier Bay, Alaska for the purpose of monitoring ambient noise. The recordings are intended to provide examples of the types of natural and manmade sounds that occur in Glacier Bay National Park.

Vocalizations of the two most commonly encountered killer whale forms, the fish-eating (resident) killer whale, and the mammal-eating (transient) killer whale, are difficult to distinguish by the untrained ear. However, for the researcher studying killer whale vocalizations they are almost as distinct as photographic images of the whales.

The vocalizations not only tell the researcher whether the calling killer whale is a resident or a transient, but also reveal to which resident or transient population or sub-population the caller belongs. If the caller is a resident, it furthermore shows who his closest relatives are. Both residents and transients use discrete calls, whistles, and clicks.

Calls and whistles are used only in social communication, while clicks are predominantly used in echolocation. A clicking killer whale produces high frequency sounds and uses the echoes of those sounds to form images of the areas around him or her. In much the same way that humans use sonar to investigate the seafloor, the ultra structure of certain materials, or medical views of the inside of our bodies, whales use echolocation to orient and find food in an environment where lighting conditions are poor.

Based on differences in usage of calls, whistles, and clicks, researchers can tell whether the whales are foraging, resting, or socializing.

Keywords: Killer Whale, Orcinus orca

Sunday, January 18, 2009

Franklin Delano Roosevelt (FDR) Fear Itself AUDIO

(FDR) Fear Itself 64Kbps MP3 113 kb, (FDR) Fear Itself VBR MP3 225 kb, (FDR) Fear Itself OGG format 115 kb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

Franklin Delano Roosevelt (FDR), First Inaugural Address, Delivered 4 March 1933 "So first of all, let me assert my firm belief that the only thing we have to fear is fear itself."



This recording is a work of an employee of the United States government, made during the course of the person's official duties. As a work of the U.S. federal government, it is in the public domain. Credit: Franklin D. Roosevelt Library & Museum

Works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office.

Keywords: Franklin Delano Roosevelt; FDR; Fear Itself; Inaugural Address

Friday, January 16, 2009

John F. Kennedy Inaugural Address AUDIO

Kennedy Inaugural Address 64Kbps MP3 6.7 mb, Kennedy Inaugural Address VBR MP3 10 mb, Kennedy Inaugural Address OGG format 5.9 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.



Inaugural Address, January 20, 1961, United States Capitol, Washington, D.C. Date: January 20, 1961, Copyright: Public domain. Credit: John F. Kennedy Presidential Library & Museum, Boston, Massachusetts

Details: Audio file of President John Fitzgerald Kennedy’s Inaugural Address, January 20, 1961. Running time 14 minutes.

FULL TEXT TRANSCRIPT:

  • Vice President Johnson, Mr. Speaker, Mr. Chief Justice, President Eisenhower, Vice President Nixon, President Truman, Reverend Clergy, fellow citizens:

    We observe today not a victory of party but a celebration of freedom--symbolizing an end as well as a beginning--signifying renewal as well as change. For I have sworn before you and Almighty God the same solemn oath our forbears prescribed nearly a century and three-quarters ago.

    The world is very different now. For man holds in his mortal hands the power to abolish all forms of human poverty and all forms of human life. And yet the same revolutionary beliefs for which our forebears fought are still at issue around the globe--the belief that the rights of man come not from the generosity of the state but from the hand of God.

    We dare not forget today that we are the heirs of that first revolution. Let the word go forth from this time and place, to friend and foe alike, that the torch has been passed to a new generation of Americans--born in this century, tempered by war, disciplined by a hard and bitter peace, proud of our ancient heritage--and unwilling to witness or permit the slow undoing of those human rights to which this nation has always been committed, and to which we are committed today at home and around the world.

    Let every nation know, whether it wishes us well or ill, that we shall pay any price, bear any burden, meet any hardship, support any friend, oppose any foe to assure the survival and the success of liberty.

    This much we pledge--and more.

    To those old allies whose cultural and spiritual origins we share, we pledge the loyalty of faithful friends. United there is little we cannot do in a host of cooperative ventures. Divided there is little we can do--for we dare not meet a powerful challenge at odds and split asunder.

    To those new states whom we welcome to the ranks of the free, we pledge our word that one form of colonial control shall not have passed away merely to be replaced by a far more iron tyranny. We shall not always expect to find them supporting our view. But we shall always hope to find them strongly supporting their own freedom--and to remember that, in the past, those who foolishly sought power by riding the back of the tiger ended up inside.

    To those people in the huts and villages of half the globe struggling to break the bonds of mass misery, we pledge our best efforts to help them help themselves, for whatever period is required--not because the communists may be doing it, not because we seek their votes, but because it is right. If a free society cannot help the many who are poor, it cannot save the few who are rich.

    To our sister republics south of our border, we offer a special pledge--to convert our good words into good deeds--in a new alliance for progress--to assist free men and free governments in casting off the chains of poverty. But this peaceful revolution of hope cannot become the prey of hostile powers. Let all our neighbors know that we shall join with them to oppose aggression or subversion anywhere in the Americas. And let every other power know that this Hemisphere intends to remain the master of its own house.

    To that world assembly of sovereign states, the United Nations, our last best hope in an age where the instruments of war have far outpaced the instruments of peace, we renew our pledge of support--to prevent it from becoming merely a forum for invective--to strengthen its shield of the new and the weak--and to enlarge the area in which its writ may run.

    Finally, to those nations who would make themselves our adversary, we offer not a pledge but a request: that both sides begin anew the quest for peace, before the dark powers of destruction unleashed by science engulf all humanity in planned or accidental self-destruction.

    We dare not tempt them with weakness. For only when our arms are sufficient beyond doubt can we be certain beyond doubt that they will never be employed.

    But neither can two great and powerful groups of nations take comfort from our present course--both sides overburdened by the cost of modern weapons, both rightly alarmed by the steady spread of the deadly atom, yet both racing to alter that uncertain balance of terror that stays the hand of mankind's final war.

    So let us begin anew--remembering on both sides that civility is not a sign of weakness, and sincerity is always subject to proof. Let us never negotiate out of fear. But let us never fear to negotiate.

    Let both sides explore what problems unite us instead of belaboring those problems which divide us.

    Let both sides, for the first time, formulate serious and precise proposals for the inspection and control of arms--and bring the absolute power to destroy other nations under the absolute control of all nations.

    Let both sides seek to invoke the wonders of science instead of its terrors. Together let us explore the stars, conquer the deserts, eradicate disease, tap the ocean depths and encourage the arts and commerce.

    Let both sides unite to heed in all corners of the earth the command of Isaiah--to "undo the heavy burdens . . . (and) let the oppressed go free."

    And if a beachhead of cooperation may push back the jungle of suspicion, let both sides join in creating a new endeavor, not a new balance of power, but a new world of law, where the strong are just and the weak secure and the peace preserved.

    All this will not be finished in the first one hundred days. Nor will it be finished in the first one thousand days, nor in the life of this Administration, nor even perhaps in our lifetime on this planet. But let us begin.

    In your hands, my fellow citizens, more than mine, will rest the final success or failure of our course. Since this country was founded, each generation of Americans has been summoned to give testimony to its national loyalty. The graves of young Americans who answered the call to service surround the globe.

    Now the trumpet summons us again--not as a call to bear arms, though arms we need--not as a call to battle, though embattled we are-- but a call to bear the burden of a long twilight struggle, year in and year out, "rejoicing in hope, patient in tribulation"--a struggle against the common enemies of man: tyranny, poverty, disease and war itself.

    Can we forge against these enemies a grand and global alliance, North and South, East and West, that can assure a more fruitful life for all mankind? Will you join in that historic effort?

    In the long history of the world, only a few generations have been granted the role of defending freedom in its hour of maximum danger. I do not shrink from this responsibility--I welcome it. I do not believe that any of us would exchange places with any other people or any other generation. The energy, the faith, the devotion which we bring to this endeavor will light our country and all who serve it--and the glow from that fire can truly light the world.

    And so, my fellow Americans: ask not what your country can do for you--ask what you can do for your country.

    My fellow citizens of the world: ask not what America will do for you, but what together we can do for the freedom of man.

    Finally, whether you are citizens of America or citizens of the world, ask of us here the same high standards of strength and sacrifice which we ask of you. With a good conscience our only sure reward, with history the final judge of our deeds, let us go forth to lead the land we love, asking His blessing and His help, but knowing that here on earth God's work must truly be our own.
Keywords: John F. Kennedy; Inaugural Address

Wednesday, January 14, 2009

Semper Fidelis Inauguration Music AUDIO

“Semper Fidelis," is the title of the official march of the United States Marine Corps, composed by John Philip Sousa in 1889. Sousa was director of the United States Marine Band , on the march

Semper Fidelis Inauguration Music 64Kbps MP3 1.5 mb, Semper Fidelis Inauguration Music VBR MP3 4.2 mb, Semper Fidelis Inauguration Music OGG format 2.3 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.



This composition is a work of an employee (John Philip Sousa) of the Department of Defence of the United States, made during the course of the person's official duties. As a work of the U.S. federal government, it is in the public domain.

Performed by The U.S. Marine Corps Band, Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office.

After performing at James Madison’s inaugural in 1809, “The President’s Own” ushered in the first inaugural ball, playing for Thomas Jefferson and James and Dolley Madison as they entered the crowded room at Long's Hotel. The band played "Jefferson's March" when the former president arrived and "President Madison's March" when President Madison and his wife, Dolley, entered the ball.

In 1817 James Monroe's inaugural ceremony was held in Congress Hall, also called "The little Brick Capitol." This was the temporary home for Congress following the burning of the Capitol in 1814) on a portico erected outdoors in front of the hall. This was the first outdoor inaugural ceremony in Washington, D.C.

Monroe's second inaugural ceremony, in 1821, was held at the rebuilt U.S. Capitol. The Marine Band played music to accompany his arrival and at the conclusion of the ceremony.

Monday, January 12, 2009

National Emblem Inauguration Music AUDIO

National Emblem Trio Strain, written around 1906 by Edwin Eugene Bagley, for marching on Colors

National Emblem Inauguration Music 64Kbps MP3 682 kb, National Emblem Inauguration Music VBR MP3 1.8 mb, National Emblem Inauguration Music OGG format 1.1 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.



The Marine Band is believed to have made its inaugural debut in 1801 for Thomas Jefferson, the first President to be inaugurated in Washington, D.C. “The President’s Own,” a moniker Jefferson is credited with giving to band, likely performed “Jefferson’s March” and other airs for the President at his hotel before he walked the short route to the Capitol for his swearing-in. For his second inaugural, workers from the Washington Navy Yard, accompanied by military music, marched with the President. This was the first-ever inaugural parade on Pennsylvania Avenue.

Performed by The U.S. Marine Corps Band, Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office.

This MP3 (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office. Works published before 1923 are now in the public domain.

this file may not be public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris in this case Edwin Eugene Bagley 1857-1922) and that most commonly run for a period of 50 to 70 years from the last day (december 31st) of that year. If your use will be outside the U.S.. please check your local law.

Keywords: National Emblem; Inauguration Music

Saturday, January 10, 2009

.50 Caliber Machine Gun

.50 Caliber Machine Gun 64Kbps MP3 413 kb, .50 Caliber Machine Gun VBR MP3 825 kb, .50 Caliber Machine Gun OGG format 439 kb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.



Digital Video and Imagery Distribution System: Information presented on or via DVIDS is considered public information (Public Domain) and may be distributed or copied unless otherwise specified. Use of appropriate byline/photo/image credits is requested.

Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office.

Regimental Combat Team-5, 1st Marine Division Public Affairs 8 Dec 2008 Al Asad Air Base IQ

B-roll of Marines with Regimental Combat Team 5 laying down suppression fire with a .50 cal machine gun and firing a man-portable, anti-tank guided missile, the Javelin, at a range near Al Asad Air Base, Iraq. Scenes include footage of Marines firing the weapons from a tank and from the ground and the resulting explosions. Produced by Lance Cpl. Paul Torres.

Keywords: .50 Caliber; Machine Gun; small arms fire

Thursday, January 8, 2009

Ares I-X Rocket Orion Crew Vehicle VIDEO

Ares I-X Rocket Orion Crew Vehicle in MPEG4 format 8.7 mb Ares I-X Rocket Orion Crew Vehicle Real Media format 18 mb. Ares I-X Rocket Orion Crew Vehicle OGV format 17 mb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGV format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.

Four decades ago, NASA Langley Research Center's Transonic Dynamics tunnel was used to test the Saturn V rockets that sent Apollo aloft. These days the focus is on Ares I-X, the first test flight in the development of the Ares I rocket. Today's testers are in contact with those from the Apollo era to learn how they did it. Ares I-X is part of NASA's Constellation program that, beginning in 2015, will be used for visits to the International Space Station and missions to explore the moon and beyond.


This work is in the public domain in the United States because it is a work of the United States Federal Government under the terms of Title 17, Chapter 1, Section 105 of the US Code.

Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office.

NASA still images; audio files; video; and computer files used in the rendition of 3-dimensional models, such as texture maps and polygon data in any format, generally are not copyrighted.

If the NASA material is to be used for commercial purposes, especially including advertisements, it must not explicitly or implicitly convey NASA's endorsement of commercial goods or services. If a NASA image includes an identifiable person, using the image for commercial purposes may infringe that person's right of privacy or publicity

Keywords: Ares I-X Rocket; Orion Crew Vehicle; NASA; Space flight

Monday, January 5, 2009

American Crow AUDIO

American Crow 64Kbps MP3 58 kb, American Crow VBR MP3 174 kb, American Crow OGG format 80 kb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.



This black bird is related to the raven, magpie, and the jays. Its wingspan is often over 3 ft. long, and it's usually seen in flight. The crow (Corvus brachyrhynchos) is one of the most intelligent and adaptable birds. Its diet consists of small animals, eggs, carrion (dead animals), and even garbage!

Ownership: Mississippi National River and Recreation Area - American Crow (U.S. National Park Service). Information presented on this website, unless otherwise indicated , is considered in the public domain. It may may be distributed or copied as is permitted by the law.

Keywords: American Crow; black bird; raven; magpie.

American CrowGenerally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office.

Sunday, January 4, 2009

Ruffles and flourishes AUDIO

Ruffles and flourishes 64Kbps MP3 85 kb, Ruffles and flourishes VBR MP3 169 kb, Ruffles and flourishes OGG format 149 kb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.



Ruffles and flourishes is the preceding fanfare to ceremonial music played for distinguished people.

Ruffles are played on drums, and flourishes are played on bugles. For example, the President of the United States receives four ruffles and flourishes which is the highest honor.

Performed by The U.S. Marine Corps Band, Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office.

Keywords: Ruffles and flourishes; president; potus; Marine Corps Band; ceremonial music.

Friday, January 2, 2009

Hail to the chief AUDIO

Hail to the chief 64Kbps MP3 324 kb, Hail to the chief VBR MP3 487 kb, Hail to the chief OGG format 495 kb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.



Performing Ensemble: United States Air Force Concert Band. Publisher(s): Department of Air Force. Keywords: Air Force Concert Band; Hail to the chief; President; potus

Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office.

Seal of the President of the United StatesThis MP3 (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office. Works published before 1923 are now in the public domain.

This media file is also in the public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris) in this case James Sanderson (1769-1841), and that most commonly runs for a period of 50 to 70 years from December 31 of that date.

"Hail to the Chief," with its preceding fanfare known as "Ruffles and Flourishes," is traditionally played to announce the arrival of the President at State functions. Possibly derived from an old Gaelic air, "Hail to the Chief" was used in James Sanderson’s musical play of 1812, The Lady of the Lake. It appears in a gallant boating scene honoring the highland chieftain, Sir Roderick Dhu. The song was already very popular when the Marine Band played it from a barge for the opening of the Chesapeake and Ohio Canal on July 4, 1828, in the presence of President John Quincy Adams.

On March 4, 1829, the Marine Band performed at the inauguration of President Andrew Jackson, the first inaugural ceremonies held on the U.S. Capitol steps. President Martin Van Buren instituted formal outdoor concerts on the U.S. Capitol grounds, a tradition carried on today during the summer months. President William Henry Harrison died one month after his inauguration, and the Marine Band led his funeral cortege on April 4, 1841.

President John Tyler is believed to be the first to use "Hail to the Chief" as the official Presidential honors. "Hail to the Chief" had been played in the White House under Presidents Jackson and Van Buren, but it did not become the official Presidential honors until First Lady Julia Tyler instructed the Marine Band to play it whenever the President made an official appearance. President Tyler also instituted weekly public concerts on the White House grounds, a tradition that continued on Saturday evenings from spring to fall until the administration of Herbert Hoover. In 1854 President Franklin Pierce approved legislation allowing the band extra pay for playing "on the grounds of the President and the Capitol."