public domain royalty free copyright free audio video .m3u .mp3 Ogg Vorbis .wmv .mp4 and .ogv
Site Search Audio Video Public Domain
Navigate to the Copyright Royalty FREE Public Domain AUDIO / VIDEO Movies Music and Sound effects you're looking for FAST with Public Domain Audio Video site search.
Set Connecticut after World War II, The Stranger is a cat and mouse game between Wilson (Edward G. Robinson), a member of the Allied War Crimes Commission and Franz Kindler (Orson Welles), a Nazi who has assumed the false identity of Dr. Charles Rankin. To complete his new intelligentsia disguise, Kindler marries Mary Longstreet, daughter of a Supreme Court justice.
The film was made by International Pictures, and released by RKO Radio Pictures. The copyright on the film originally belonged to The Haig Corporation, but the film is in the public domain because the producers failed to renew the copyright in 1973.
Directed by: Orson Welles. Produced by: Sam Spiegel (as S. P. Eagle) Written by: Anthony Veiller, Victor Trivas, Decla Dunning, Uncredited: John Huston, Orson Welles.
Starring: Orson Welles, Loretta Young, Edward G. Robinson. Cinematography: Russell Metty. Studio: International Pictures. Distributed by: RKO Radio Pictures. Release date(s): May 25, 1946. Running time: 95 min. Country: United States. Language: English.
This movie is part of the collection: Film Noir
Director: Orson Welles, Producer: Sam Spiegel, Production Company: International Pictures/RKO, Sponsor: k-otic.com. Audio/Visual: sound, black & white. Keywords: Drama; Film-Noir; Mystery; Thriller; pdmovies. Contact Information: www.k-otic.com
Marines' Hymn (fast Instrumental) VBR MP3 1.0 mb, Marines' Hymn (fast Instrumental) OGG format 490 kb which is a free, open standard container format maintained by the Xiph.Org Foundation. The OGG format is unrestricted by software patents and is designed to provide for efficient streaming and manipulation of high quality digital multimedia.
Performance Licence:"The President's Own" United States Marine Band web site is provided as a public service by the Director of Public Affairs (DirPA), Headquarters, United States Marine Corps, and the United States Marine Band (USMB), Marine Barracks, Washington, D.C.
Information presented on the USMB web site is considered public information and may be distributed or copied. Use of appropriate byline/photo/image credits is requested.
This media file is a work of a U.S. Department of Defense employee, made during the course of the person's official duties. As a work of the U.S. federal government, the media file is in the public domain.
Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office.
Composition Licence: This Composition is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1923 (in this case 1919) are now in the public domain.
This composition is also in the public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris) in this case Jacques Offenbach (1819-1880), and that most commonly runs for a period of 50 to 70 years from December 31 of that date.
This audio is part of the collection: Community Audio Artist/Composer: United States Marine Band Keywords: Marines' Hymn Creative Commons license: Public Domain Mark 1.0
United States Marine Band Marine Corps Logistics Base Albany,GA History of the Marines' Hymn.
Following the war with the Barbary Pirates in 1805, when Lieutenant P.N. O'Bannon and his small force of Marines participated in the capture of Derne and hoisted the American flag for the first time over a fortress of the Old World, the Colors of the Corps was inscribed with the words: "To the Shores of Tripoli." After the Marines had participated in the capture and occupation of Mexico City and the Castle of Chapultepec, otherwise known as the "Halls of Montezuma," the words on the Colors were changed to read: "From the Shores of Tripoli to the Halls of Montezuma."
Following the close of the Mexican War came the first verse of the Marines' Hymn, written, according to tradition, by a Marine on duty in Mexico. For the sake of euphony, the unknown author transposed the phrases in the motto on the Colors so that the first two lines of the Hymn would read: "From the Halls of Montezuma, To the Shores of Tripoli."
A serious attempt to trace the tune of the Marines' Hymn to its source is revealed in correspondence between Colonel A.S. McLemore, USMC, and Walter F. Smith, second leader of the Marine Band. Colonel McLemore wrote:
"Major Richard Wallach, USMC, says that in 1878, when he was in Paris, France, the aria to which the Marines' Hymn is now sung was a very popular one." The name of the opera and a part of the chorus was secured from Major Wallach and forwarded to Mr. Smith, who replied: "Major Wallach is to be congratulated upon a wonderfully accurate musical memory, for the aria of the Marine Hymn is certainly to be found in the opera, 'Genevieve de Brabant'...The melody is not in the exact form of the Marine Hymn, but is undoubtedly the aria from which it was taken. I am informed, however, by one of the members of the band, who has a Spanish wife, that the aria was one familiar to her childhood and it may, therefore, be a Spanish folk song."
In a letter to Major Harold F. Wingman, USMC, dated 18 July [1919], John Philip Sousa wrote: "The melody of the 'Halls of Montezuma' is taken from Offenbach's comic opera, 'Genevieve de Brabant' and is sung by two gendarmes." Most people believe that the aria of the Marines' Hymn was, in fact, taken from "Genevieve de Brabant," an opera-bouffe (a farcical form of opera, generally termed musical comedy) composed by Jacques Offenbach (1819-1880), and presented at the Theatre de Bouffes Parisiens, Paris, on November 19, 1859.
Offenbach was born in Cologne, Germany, June 20, 1819 and died October 5, 1880. He studied music from an early age and in 1838 entered the Paris Conservatoire as a student. In 1834 he was admitted as a violoncellist to the Opera Comique and soon attained much popularity with Parisien audiences. He became conductor of the Theatre Francais in 1847 and subsequently leased the Theatre Comte, which he reopened as the Bouffes-Parisiens. Most of his operas are classed as comic (light and fanciful) and include numerous popular productions, many of which still hold a high place in European and American countries.
Genevieve de Brabant was the wife of Count Siegfried of Brabant. Brabant, a district in the central lowlands of Holland and Belgium, formerly constituted an independent duchy. The southern portions were inhabited by Walloons, a class of people now occupying the southeastern part of Belgium, especially the provinces of Liege, Arlon and Namur.
Every campaign the Marines have taken part in gives birth to an unofficial verse.
For example, the following from Iceland:
"Again in nineteen forty-one We sailed a north'ard course And found beneath the midnight sun, The Viking and the Norse. The Iceland girls were slim and fair, And fair the Iceland scenes, And the Army found in landing there, The United States Marines."
Copyright ownership of the Marines' Hymn was vested in the United States Marine Corps per certificate of registration dated August 19, 1991 but is now in the public domain. In 1929, the Commandant of the Marine Corps authorized the following verses of the Marines' Hymn as the official version:
"From the Halls of Montezuma To the Shores of Tripoli; We fight our country's battles On the land as on the sea; First to fight for right and freedom And to keep our honor clean; We are proud to claim the title of United States Marine.
"Our flag's unfurled to every breeze From dawn to setting sun; We have fought in ev'ry clime and place Where we could take a gun; In the snow of far-off Northern lands And in sunny tropic scenes; You will find us always on the job-- The United States Marines.
"Here's health to you and to our Corps Which we are proud to serve In many a strife we've fought for life And never lost our nerve;
If the Army and the Navy Ever look on Heaven's scenes; They will find the streets are guarded By United States Marines."
On November 21, 1942, the Commandant of the Marine Corps approved a change in the words of the fourth line, first verse, to read, "In air, on land, and sea."
Former-Gunnery Sergeant H.L. Tallman, veteran observer in Marine Corps Aviation who participated in many combat missions with Marine Corps Aviation over the Western Front in World War I, first proposed the change at a meeting of the First Marine Aviation Force Veterans Association in Cincinnati, Ohio.
Many interesting stories have been associated with the Marines' Hymn. One of the best was published in the Stars and Stripes, the official newspaper of the AEF, under date of August 16, 1918.
"A wounded officer from among the gallant French lancers had just been carried into a Yankee field hospital to have his dressing changed. He was full of compliments and curiosity about the dashing contingent that fought at his regiment's left.
"'A lot of them are mounted troops by this time,' he explained, 'for when our men would be shot from their horses, these youngsters would give one running jump and gallop ahead as cavalry. I believe they are soldiers from Montezuma. At least, when they advanced this morning, they were all singing "From the Halls of Montezuma to the Shores of Tripoli".'"
The Marines' Hymn has been sung and played in all of the four corners of the earth and today is recognized as one of the foremost service songs.
Directed by: William A. Wellman Produced by: David O. Selznick Written by: William A. Wellman, Robert Carson, Dorothy Parker, Alan Campbell
Starring: Janet Gaynor, Fredric March, Adolphe Menjou Music by: Max Steiner Cinematography: W. Howard Greene
Editing by: James E. Newcom, Anson Stevenson Distributed by: Selznick International Pictures, United Artists Release date(s): April 27, 1937[1]
Running time: 111 minutes Country: United States Language: English Budget: $1,173,639
This movie is part of the collection: Feature Films Director: William A. Wellman Producer: David O. Selznick Production Company: Selznick International Pictures Audio/Visual: sound, color Keywords: Drama Contact Information: www.k-otic.com Creative Commons license: Public Domain
Performance and Composition Licence: The US Army Band Web Site is maintained by The Army Band Public Affairs Office. It is intended to be used by the public for viewing and retrieving information only. All information on this site is considered public information and may be distributed or copied freely except where otherwise noted. Use of appropriate byline / photo / image credits is requested.
This media file is a work of a U.S. Department of Defense employee, made during the course of the person's official duties. As a work of the U.S. federal government, the media file is in the public domain.
Listen to all 3 Versions Band and Chorus (608 KB), Band Only (618 KB), Chorus only (497 KB)
Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office.
The Army (caissons) Goes Rolling Along Official Song of the U.S. Army
A Soldier's Song Excerpt from Soldiers Online - July 1994 By F. Peter Wigginton (journalist with the American Forces Information Service in Alexandria, Va.)
It [The Army Song] got its beginnings during a difficult march across the Zambales Mountains in the Philippines. As a lieutenant leading a small detachment to select a route, Brig. Gen. Edmund L. "Snitz" Gruber overheard a section chief call to his drivers, "Come on! Keep them rolling!"
Gruber, an artillery officer whose relative, Franz, composed "Silent Night," was stationed with the 2nd Battalion, 5th Field Artillery, in the Philippines. In March 1908, about a year after Gruber overheard that section chief in the mountains, six young lieutenants - including William Bryden and Robert Danford - gathered in his thatch hut and decided they needed a song for the field artillery.
"A guitar was produced and tuned and - in what seemed to us a few moments - as if suddenly inspired, Snitz fingered the melody of the now-famous song," recalled Danford, who retired as a major general. Danford and Bryden helped complete the lyrics.
Gruber taught the song to officers of the 1st Battalion as they arrived at Fort Stotsenburg. Wrote Danford: "A few evenings later at the post reception for the new unit and adieu to the old, 'The Caisson Song' was given its first public rendition. Its popularity was instantaneous, and almost in no time all six of the regiments then composing the U.S. Field Artillery adopted it."
During the last days of World War I, senior artillery leaders wanted an official marching song. An artillery officer who did not know Gruber and thought "The Caisson Song" dated back to the Civil War, gave the piece to noted composer and bandmaster John Philip Sousa and asked him to fix it up.
Sousa incorporated Gruber's piece into his composition, which he titled, "The U.S. Field Artillery March" - a few beginning measures being his own and the balance from Gruber.
The resulting song became a blockbuster record during World War I, selling about 750,000 copies. Gruber heard of it and asked Sousa, "How about some money, since I wrote the song?" Embarrassed, the innocent Sousa made certain Gruber got his royalties.
In 1948, the Army conducted a nationwide contest to come up with its own official song. None of the five winners achieved any notable popularity. In 1952, the secretary of the Army appealed to the music industry for a composition. Composers submitted an avalanche of more than 800 songs.
But no submission sparkled enough to be accepted. So a soldier music adviser in the Adjutant General's office was asked to try his hand at it. As a result, H.W. Arberg adapted "The Caisson Song" to become the official U.S. Army song,
Caisson Song (1908, original version)
Over hill over dale we will hit the dusty trail As the caissons go rolling along. Up and down, in and out, Countermarch and right about, And our caissons go rolling along.
For it's hi-hi-hee in the Field Artillery, Shout out the number loud and strong.
Till our final ride, It will always be our pride To keep those caissons a rolling along. (Keep them rolling - keep them rolling)* Keep those caissons a rolling along. (B-a-t-t-e-r-y H-a-l-t!)*
U.S. Field Artillery (1917)
(by Gruber, arranged by Sousa, copyright and published by Carl Fischer)
Verse:
Over hill, over dale We have hit the dusty trail, And the Caissons go rolling along. In and out, hear them shout, Counter marching and right about, And those Caissons go rolling along.
Refrain:
For it's hi! hi! hee! In the field artillery, count out your numbers loud and strong, And where e'er you go, You will always know That the Caissons go rolling along.
Verse:
In the storm, in the night, Action left or action right See those Caissons go rolling along Limber front, limber rear, Prepare to mount your cannoneer And those Caissons go rolling along.
Refrain:
For it's hi! hi! hee! In the field artillery, Shout out your numbers loud and strong, And where e'er you go, You will always know That the Caissons go rolling along.
Verse:
Was it high, was it low, Tell me where did that one go? As those Caissons go rolling along Was it left, was it right, Now we won't get home tonight And those Caissons go rolling along.
Refrain:
For it's hi! hi! hee! In the field artillery, Shout out your numbers loud and strong, And where e'er you go, You will always know That the Caissons go rolling along.
The Army Goes Rolling Along (1956, current official version)
typically only the first verse and refrain are sung (not including the intro)
Intro:
March along, sing our song, with the Army of the free Count the brave, count the true, who have fought to victory We're the Army and proud of our name We're the Army and proudly proclaim
Verse:
First to fight for the right, And to build the Nation’s might, And The Army Goes Rolling Along Proud of all we have done, Fighting till the battle’s won, And the Army Goes Rolling Along.
Refrain:
Then it's Hi! Hi! Hey! The Army's on its way. Count off the cadence loud and strong* * "Two! Three!" is typically sung here but is not an official part of the song
For where e’er we go, You will always know That The Army Goes Rolling Along.
Verse:
Valley Forge, Custer's ranks, San Juan Hill and Patton's tanks, And the Army went rolling along Minute men, from the start, Always fighting from the heart, And the Army keeps rolling along.
(Refrain)
Verse:
Men in rags, men who froze, Still that Army met its foes, And the Army went rolling along. Faith in God, then we're right, And we'll fight with all our might, As the Army keeps rolling along.
(Refrain)
This audio is part of the collection: Community Audio Artist/Composer: U.S. Army Bands Online Keywords: The Army Song Creative Commons license: Public Domain Mark 1.0
Copyright free, royality free, public domain, audio, video, music and sound effects
Two faces of Garryowen and
Garry Owen The 7th Cavalry Regiment is a United States Army cavalry regiment, whose lineage traces back to the mid-19th century. Its official nickname is "Garry Owen", in honor of the Irish drinking song Garryowen that was adopted as its march tune.
